时代:清 世宗 雍正: 公元1723-1735年 说明:侈口，弧形深壁，矮圈足。器外施红色珐琅料为地，彩绘白梅树一株及数竿翠竹。口沿和足端留一圈白边。碗内无纹施白釉，底有「雍正年制」蓝料款。传世雍正珐琅彩瓷碗，胎体有壁薄如纸和较厚实两者，此碗属于后者。对照档案记事，雍正九年(1731)皇帝曾降旨:「着画梅花，或本色，或红色地章烧珐琅」。雍正十二年(1734)皇家作坊进呈的清单中，也包含一类「红地白梅花大碗」，至雍正十年(1732)黄地仍然降旨烧造「红地白梅花四吋盘」。依此来看，除了梅花具有坚忍不拔的象征意义外，因能呼应档案记载的烧制背景，故可视为是雍正皇帝讲求的「内廷恭造」式样。传世一对，道光十五年(1835)《珐琅玻璃宜兴磁胎陈设档案》著录为「磁胎画珐琅白梅花红地宫碗壹对」。 This porcelain bowl features a dark-red enamel background with paintings of white plum blossoms and bamboo. A white ring was left along the ring and base. The interior is undecorated, and the underside has a reign mark in blue enamel that reads, "Made in the Yongzheng reign." Examination of records from the archives of the Qing imperial workshops shows that the Yongzheng emperor in 1731 ordered cups fired with white plum blossoms on a red background. In a list of items submitted from private kilns for the court in 1734, a type of "large bowl with white plum blossoms on a red background" is also mentioned. In 1732, the Yongzheng emperor further ordered the firing of dishes with white plum blossoms on a red background. Thus, the plum blossom, symbolic of an enduring tenacity to bloom in the cold of winter, also was a prominent motif in the "court style" promoted by the Yongzheng emperor, as seen in not only surviving works as this one but also archival records of porcelains fired for the court. (Yu Pei-chin) 款识:底（外）年号款：雍正年制 参考:《华夏艺术中的自然观 : 唐奖故宫文物选萃特展》刘芳如主编国立故宫博物院2016/09;《特别展：台北国立故宫博物院　神品至宝》东京国立博物馆, 九州岛岛国立博物馆, NHK, NHKプロモーション, 读卖新闻社, 产经新闻社, フジテレビジョン, 朝日新闻社, 毎日新闻社 编集东京国立博物馆、九州岛岛国立博物馆2014/06;《金成旭映─清雍正珐琅彩瓷》余佩瑾台北巿：国立故宫博物院2013/02;《雍正─清世宗文物大展》冯明珠、郑永昌、洪健荣、余佩瑾、陈慧霞、林丽娜、邱士华、谢俊科、王圣涵、黄正和台北巿：国立故宫博物院2009/09;《故宫文物月刊》189期(赴法展)器物处台北巿：国立故宫博物院1998/12