书体:

行草书

色彩:

装裱形式:

册(经折装)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

此月增哀怀。奈何奈何。念卿不可居处。比何似。耿耿。力不次。王羲之。

印记资料:

收传印记：奉使新铸之印

题跋资料:

题跋类别：题跋；作者：王世贞；题跋位置：本幅；款识：世贞谨题；书体：行楷书；全文：此本视庆历大观中真书诸刻。最为佳也。丹山奇隐居士购得之。常置书筒中。每溽暑蒸润之月。又加蜡封裹其外。其保护甚于婴儿也。时取展玩。则净拭几席而对之。或者讥其有宋人燕石之藏。居士因复之曰。昔人论右军书乐毅论太史箴。体皆正直。有忠臣烈士之象。随所在而有神物护持之也。如辩才于兰亭。殆逾性命。况千馀载之下。宝玩尚无斁者。馀于此帖岂为过耶。或者遂服其精鑑如此。唯唯而退。居士因征馀言以志其意于后。使其传家者。当知其所自者焉。时洪武三十年春二月上澣吉日。陆脩正识。右此月帖二十五字。结法圆美遒逸。而微有米家风。疑为此君临本。赞曰。优孟抵掌。卒惊楚王。虎贲登筵。蔡为不亡。屈邯郸踁。步襄阳堂。柔腕虚和。役圆就方。谁其最工。米颠襄阳。世贞谨题。印记：世贞

题跋类别：题跋；作者：莫是龙；题跋位置：本幅；款识：甲戌仲秋望日。莫是龙题。；书体：行楷书；全文：此月帖。王长公鉴为米家风良是。非深于书学者。不能辨也。世间无论有晋魏。几人解识真唐隋。当时薛米诸人。第得见我辈。不至矜诩若尔。甲戌仲秋望日。莫是龙题。印记：莫是龙印、莫氏云卿

主题:

技法:

参考资料:

内容简介（中文）： 米芾（一○五二－一一○八），北宋书画家、鑑赏家。徽宗赵佶召为书画学博士，官至礼部员外郎，人称「米南宫」。能诗文，善书画，精鉴别，家中所藏晋唐墨蹟甚多，遂名其斋为「宝晋斋」。米氏论草书以晋人书风为最，尝言：「草书若不入晋人格。輙徒成下品」。生平素喜临摹二王作品，据称几可乱真。此帖即临写王羲之草书〈增哀怀帖〉，可见行笔流畅，神韵俱备。选自〈三希堂法帖〉。释文：此月增哀怀。奈何奈何。念卿不可居处。比何似。耿耿。力不次。王羲之。(20120713) 内容简介（英文）： Mi Fu was an important scholar-painter, calligrapher, and connoisseur. Emperor Huizong appointed him as Doctor of Painting and Calligraphy; Mi also was Court Gentleman of Rites and known as “Mi Nangong.” Good at poetry, he excelled at painting and calligraphy, being an exceptional connoisseur, too. His family collection included many Jin and Tang calligraphies, so he called his studio “Treasuring the Jin.” In Mi’s view, Jin cursive script was best, claiming, “If a Jin calligrapher’s person is not in his cursive script, it is just a lesser work.” He often faithfully copied works of the Two Wangs. This is a copy of Wang Xizhi’s “Zeng Aihuai” in cursive script. From “Calligraphy of the Sanxi Hall,” it has fluid brushwork with both spirit and harmony.(20120713)