书体:

行书

色彩:

装裱形式:

卷

创作时间:

明世宗嘉靖六年（1527）

文字类型:

汉文

质地:

本幅纸拖尾纸

释文:

千字文。敕员外散骑侍郎周兴嗣次韵。天地玄黄。宇宙洪荒。日月盈昃。辰宿列张。寒来暑往。秋收冬藏。闰馀成岁。律吕调阳。云腾致雨。露结为霜。金生丽水。玉出崑冈。剑号巨阙。珠称夜光。果珍李柰。菜重芥姜。海咸河淡。鳞潜羽翔。龙师火帝。鸟官人皇。始制文字。乃服衣裳。推位让国。有虞陶唐。弔民伐罪。周发殷汤。坐朝问道。垂拱平章。爱育黎首。臣伏戎羌。遐迩壹体。率宾归王。鸣凤在树。白驹食场。化被草木。赖及万方。盖此身发。四大五常。恭惟鞠养。岂（敢点去）敢毁伤。女慕贞洁。男效才良。知过必改。得能莫忘。罔谈彼短。靡恃己长。信使可复。器欲难量。墨悲丝染。诗讚羔羊。景行维贤。刻念作圣。德建名立。形端表正。空谷传声。虚堂习听。祸因恶积。福缘善庆。尺璧非宝。寸阴是竞。资父事君。曰严与敬。孝当竭力。忠则尽命。临深履薄。夙兴温清。似兰斯馨。如松之盛。川流不息。渊澄取暎。容止若思。言辞安定。笃初诚美。慎终宜令。荣业所基。籍甚无竟。学优登仕。摄职从政。存以甘棠。去而益咏。乐殊贵贱。礼别尊卑。上和下睦。夫唱妇随。外受傅训。入奉母仪。诸姑伯叔。犹子比儿。孔怀兄弟。同气连枝。交友投分。切磨箴规。仁慈隐恻。造次弗离。节义廉退。颠沛匪亏。性静情逸。心动神疲。守真志满。逐物意移。坚持雅操。好爵自靡縻。都邑华夏。东西二京。背邙面洛。浮渭据泾。宫殿盘郁。楼观飞惊。图写禽兽。画彩僊灵。丙舍傍启。甲帐对楹。肆筵设席。鼓瑟吹笙。陞阶纳陛。弁转疑星。右通广内。左达承明。既集坟典。亦聚羣英。杜槀锺粲。漆书壁经。府罗将相。路侠槐卿。户封八县。家给千兵。高冠陪辇。驱毂振缨。世禄侈富。车驾肥轻。策功茂实。勒（铭点去）碑刻铭。磻溪伊尹。佐时阿衡。奄宅曲阜。微旦孰营。桓公辅合。济弱扶倾。绮回汉惠。说感武丁。俊乂密勿。多士寔宁。晋楚更霸。赵魏困横。假途灭虢。践土会盟。何遵约法。韩弊烦刑。起翦颇牧。用军最精。宣（威点去）威沙漠。驰誉丹青。九州禹迹。百郡秦并。岳宗泰岱。禅主云亭。雁门紫塞。鸡田赤城。昆池碣石。钜野洞庭。旷远緜邈。巗岫杳冥。根本于农。务兹稼穑。俶载南亩。我艺黍稷。税熟贡新。劝赏黜陟。孟轲敦素。史鱼秉直。庶几中庸。劳谦谨勅。聆音察理。鉴貌辨色。贻厥嘉猷。勉其祗植。省躬讥诫。宠增抗极。殆辱近耻。林皋幸即。两疏见机。解组谁逼。索居閒处。沈默寂寥。求古寻论。散虑逍遥。欣奏累遣。戚谢欢招。渠荷的历。园莽抽条。枇杷晚翠。梧桐早凋。陈根委翳。落叶飘飖。游鶤独运。凌麋绛霄。耽读翫市。寓目囊箱。易輶攸畏。属耳垣?。具膳餐饭。适口充肠。饱饫烹宰。饥厌糟糠。亲戚故旧。老少异粮。妾御绩纺。侍巾帷房。纨扇圆洁。银烛炜煌。昼眠夕寐。蓝笋象牀。弦歌酒游。接杯举觞。矫手顿足。悦豫且康。嫡后嗣续。祭祀烝尝。稽颡再拜。悚惧恐惶。牋牒简要。顾答审详。骸垢想浴。执热愿凉。驴骡犊特。骇跃超骧。诛斩贼盗。捕获叛亡。布射辽丸。嵇琴阮啸。恬笔伦纸。钧巧任钓。释纷利俗。并皆佳妙。毛施淑姿。工颦妍笑。年矢每催。曦晖朗曜。璇玑悬斡。晦魄环照。指薪修祜。永绥吉劭。矩步引领。俯仰廊庙。束带矜庄。徘徊瞻眺。孤陋寡闻。愚蒙扣诮。谓语助者。焉哉乎也。丁亥(西元一五二七年)嘉平月廿又一日。雅宜山人王宠书于石湖草堂。

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：乐寿堂鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
收传印记：周嘉冑印
收传印记：鼎足斋书画记
收传印记：曾为周广菴氏收藏
收传印记：周太史收藏
收传印记：鼎足斋（重六）
收传印记：叔休（重六）

题跋资料:

题跋类别：题跋；作者：清高宗 乾隆己巳御识；书体：行书；全文：明王宠行楷全法右军。此卷尤极熟之候。晴窗载展。犹睹瓣香。予向爱临阁帖。愧未津逮也。乾隆己巳御识。印记：干、隆

题跋类别：题跋；作者：詹景凤 时万历甲戌七夕前二日。新安詹景凤敬题。 明兴弘正而下。法书莫盛于吴。然求其能入晋人格辙。则王履吉一人已矣。是卷遒劲疏爽。翩翩几为大令。而行草千文又希有矣。凤麓先生书法与之齐驱。而雅好此卷。然履吉往矣。先生年方壮。后数年轶履吉而上之。此书不又以先生郑重哉。时万历甲戌七夕前二日。新安詹景凤敬题。印记：东图之印、松风

题跋类别：题跋；作者：黎民表 万历丁丑夏五。黎民表惟敬甫题于燕邸。 晋人真蹟。世所罕见。所传者倣书耳。诸体混淆。若出一手。不辨其为谁也。近世吴人王履吉氏独能追踪大令。萧散俊逸。敻出流辈。虽不见晋人书。知其为绝艺也。金陵姚君叙叔所藏千文。用金粟纸书者尤为合作。观者大为愉快。叙叔雅擅临池。骎骎度骅骝前。其宝此固宜。神授独得。将进于是。因书以徯之。万历丁丑夏五。黎民表惟敬甫题于燕邸。印记：黎氏惟敬、瑶石居士

主题:

技法:

参考资料:

收藏着录： 故宫书画录（卷一），第一册，页5 参考书目： 1.许郭璜，〈明王宠千文〉，收入许郭璜主编，《王宠书法特展图录》（台北：国立故宫博物院，1992年七月初版一刷），页130。 内容简介（中文）： 王宠（西元一四九四－一五三三年），字履仁，后字履吉，号雅宜山人，江苏长洲人。书风源于王羲之、虞世南，祝允明、蔡羽对他影响更大。去世时仅四十岁，其声名与几乎能与文征明抗衡。草书小品最能表现王宠创作个性和审美意识，其书体初看平正，但实际结字、笔划都有变化。此卷总体看来布局疏朗，字体灵秀，有一种朴拙天真的风骨。 内容简介（中文）： 王宠（1494－1533），字履仁，后字履吉，号雅宜山人，长洲（今苏州）人。书风源于王羲之、虞世南，祝允明、蔡羽对他影响更大。去世时虽仅四十岁，然其书法成就甚高，与祝允明、文征明并称吴中三家。此草书布局疏朗，以拙取巧，带有朴质天真的风骨。乍看虽然平淡，然结字、笔划却相当富有变化，自有疏秀出尘与潇洒超逸的特质。 内容简介（英文）： Wang Chong (style name Lüren, later Lüji; sobriquet Yayi shanren) was a native of Changzhou (modern Suzhou). His calligraphy style began with that of Wang Xizhi and Yu Shinan, but Zhu Yunming and Cai Yu had even greater influences on him. Although Wang died young at the Chinese age of 40, he was already quite renowned in calligraphy, which is why he was ranked with Zhu Yunming and Wen Zhengming as one of the Three Masters of Wu. The arrangement of the cursive script here is spacious with Wang’s skill manifested in its simplicity, imparting vigor to a style that has a natural and innocent manner. Though appearing bland at first glance, the characters and strokes are quite varied, creating a quality that is elegantly extraordinary and naturally unrestrained. 内容简介（英文）： Wang Ch'ung, a native of Soochow, was influenced in calligraphy by the styles of Chu Yun-ming and Ts'ai Yu while basing his style on those of Wang Hsi-chih and Yu Shih-nan. Although he passed away at the age of 39, he was almost as famous as the renowned Wen Cheng-ming (1470-1559). Small cursive script best reflects the creative character and aesthetic consciousness of Wang Ch'ung. His calligraphic style may appear bland at first, but close observation reveals considerable variety to the forms of the characters and the brush strokes. This handscroll has a spacious composition and the characters appear elegantly refined, revealing the straightforward spirit of the artist's character and calligraphic style.