书体:

行书

色彩:

装裱形式:

卷

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

寄米元章。魏泰。绿野风回草偃波。方塘踈雨净倾荷。几年萧寺书红叶。一日山阴换白鵞。湘浦昔同要月醉。泂湖还忆扣舷歌。缁衣化尽故山去。白发相思一陪多。次韵。米芾。山椒卜筑瞰江波。千里常怀楚制荷。旧怜俊气闲羁马。老厌奴书不玩鵞。真逸岂因明主弃。圣时长和野民歌。一自扣舷惊夏统。洛川云物至今多。泰襄阳人。能诗名振江汉。不仕宦。昨入都久留。回山之日。芾始及都门故人不及见。寄此诗。乃和。故与王平甫并为诗豪。

印记资料:

收传印记：群鸿戏海
收传印记：侠骨禅心
收传印记：东南西北之人
收传印记：生安稳想

题跋资料:

主题:

技法:

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页169 收藏着录： 盛京故宫书画录，第二册，页9 内容简介（中文）： 米芾（西元一○五一－一一○八年），北宋书画家、鑑赏家，祖籍太原（山西），迁襄阳（湖北襄樊）。徽宗赵佶召为书画学博士，官至礼部员外郎。因举止狂放，世称「米颠」。行草书博取前人所长，用笔豪放，有「风樯阵马，沉着痛快」之评。此卷虽掌握米芾书法形态，然用笔轻挑柔弱，点画间亦时显自家笔法，整体水准远逊米芾。另有他本传世，内容及书写位置皆与本卷接近，惟点画间略有不同。(20120104) 内容简介（英文）： Mi Fu was a painter, calligrapher, and connoisseur whose ancestors hailed from Taiyuan (Shanxi) but had moved to Xiangyang (Xiangfan, Hubei). Emperor Huizong recruited him as Doctor of Painting and Calligraphy, and he also was Vice Director of Rites. With an unbridled character, he was known as “Eccentric Mi.” In running and cursive scripts he searched among the ancients, his brushwork unrestrained like a “mast in wind” and “charging horses” for a “steady yet enthusiastic” style. This scroll grasps the form of Mi’s style, but the brush flicks weakly and the strokes occasionally reveal the actual artist’s manner, the overall effect distant from Mi’s. In another version, the contents and writing are similar, showing slight differences in strokes.(20120104)