书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

题跋资料:

题跋类别：题跋；作者： ；题跋位置：本幅；款识：无；；书体：行楷书；全文：禹。克勤于邦。烝民乃粒。历数在躬。厥中允执。恶酒好言。九功由立。不伐不矜。振古莫及。

主题:

主要主题：人物帝王夏禹

技法:

人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 故宫书画录（卷七），第四册，页2-3 参考书目： 1.刘芳如，〈夏禹王立像〉，收入何传馨主编，《文艺绍兴：南宋艺术与文化‧书画卷》（台北：国立故宫博物院，2010年十月初版一刷），页347。 内容简介（中文）： 淳祐元年（1241）理宗（1205-1264）至太学，作〈道统十三赞〉，后命马麟（约1180-1256后）绘成图像，借以彰显其道统与政统合一的政治理念。惟今仅存其中的五幅，合称「道统五像」。其中〈伏羲像〉署有马麟款，馀四幅则无，但五像风格接近，且上方均有宋理宗亲笔题赞，明显同出一人所绘。本幅中禹的形象，姿貌伟岸，行笔雄健挺劲，致让帝王端严的意态，俨然跃乎楮素，诚为马麟巨幅立轴中的悉力伟构。(20101015) 内容简介（英文）： In 1241, Emperor Lizong (r. 1205-1264) went to the National University and composed the “Thirteen Eulogies on Confucian Orthodoxy.” Afterwards, he ordered Ma Lin to do paintings for them, manifesting the traditional Confucian lineage and the court’s ideal of unity with political orthodoxy. Unfortunately, only five of the paintings survive, which is why they are also called “The Five Portraits of Confucian Orthodoxy.” Among them, the portrait of Fuxi bears the signature of Ma Lin. The other four are unsigned, but the style of them all is similar. Furthermore, the five have eulogies personally inscribed by Emperor Lizong at the top, clearly indicating that they were done by the same person. In this image Yu appears regal and stalwart, the brushwork likewise robust and forceful. Bringing out the figure’s impressive bearing, as if appearing before our eyes, it truly makes this a great work among the hanging scrolls by Ma Lin.(20101015)