书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

题跋资料:

主题:

主要主题：人物帝王宋理宗；次要主题：器用家俱（屏风）坐椅、椅披、足凳；次要主题：器用服饰（对人）幞头

技法:

工笔 人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 故宫书画录（卷七），第四册，页20 参考书目： 1.刘芳如，〈宋理宗坐像〉，收入何传馨主编，《文艺绍兴：南宋艺术与文化‧书画卷》（台北：国立故宫博物院，2010年十月初版一刷），页337-338。 内容简介（中文）： 理宗赵昀（1205-1264）是太祖的第十世孙，在位共四十年（1225-1264）。期间对程朱理学至为推崇，堪称是南宋将理学推向官学化最为重要的一位君主。逝后庙号亦定为理宗，可谓实至名归。本幅中，理宗的面相丰硕，肤色稍黯，目光锐利，眼角明显上扬。院藏马麟〈伏羲像〉与〈静听松风〉二轴里的人物，相貌亦皆与理宗相彷彿。故有学者以为，这是画家刻意将理宗神格化，据以合理化他继承道统的正统性。(20101015) 内容简介（英文）： Emperor Lizong (Zhao Yun; 1205-1264) was the tenth-generation grandson of the dynastic founder, Emperor Taizu, and on the throne for a total of forty years (1225-1264). During that period, he promoted the Neo-Confucian idealist philosophy of the Cheng brothers and later Zhu Xi, making him the most important ruler in the canonization of Neo-Confucianism in the Southern Song. After his death, he was given the temple name Lizong (“Idealist Ancestor”), which would be quite fitting.In this portrait, Emperor Lizong appears with a full face, his skin slightly dark. He stares out with visual acuity, his eyes slanted at an obvious angle. In fact, the faces of figures in both Ma Lin’s “Portrait of Fuxi and “Quietly Listening to Soughing Pines” are similar to the countenance of the emperor here. Thus, there is some scholarly opinion that the painter intentionally deified the emperor, rationalizing his succession to the lineage of Confucian orthodoxy.(20101015)