书体:

草书

色彩:

装裱形式:

册(经折装)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

高闲书。（楷书）。此斋破除。京中所得物犹未尽。岂得更受相助钱物。劳道此意。便令却还本主。请捡纳。六日高闲上。（草书）。

印记资料:

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈三编（懋勤殿），第六册，页2781-2782 内容简介（中文）： 高闲（约活动于西元九世纪），乌程（今浙江湖州）人。唐开元寺僧，善草书，笔法得自张旭、怀素。宣宗（847-859）尝召赐紫袍，文坛领袖韩愈并曾作序送之。鲜于枢评高闲用笔粗，草书较乏古意法度。高闲传世仅有一千字文残本墨蹟，其馀作品均为刻帖。本次选展二帖，出自南宋湖南私人重摹〈绛帖〉所刻的〈武冈帖〉，为〈淳化阁帖〉的第三代子孙。相对于墨蹟千文，可知此帖摹刻偏瘦。(20121017) 内容简介（英文）： Gaoxian, a native of Wucheng (modern Huzhou, Zhejiang), was a monk at Kaiyuan Temple. Excelling at cursive script, his brush methods derived from Zhang Xu and Huaisu. Emperor Xuanzong (r. 847-859) presented him a Purple Robe, and literary leader Han Yu gave him a preface. Xianyu Shu critiqued Gaoxian’s brushwork as rough, his cursive lacking in archaism. Only a partial ink version of Gaoxian’s “Thousand Character Essay” survives, the others being engravings. These two works are from “Wugang Modelbooks” after “Jiang Modelbooks” privately engraved in Hunan in the Southern Song, representing a third generation “Chunhua Pavilion Modelbooks.” Compared to the “Thousand Character Essay” in ink, these engravings are thinner.(20121017)