书体:

色彩:

装裱形式:

册(经折装)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺:嘉庆御览之宝
收传印记:吴伯颙
收传印记:杨嘉
收传印记:至和斋
收传印记:斗父
收传印记:君谟
收传印记:周氏文种堂印
收传印记:砚虹堂

题跋资料:

主题:

技法:

参考资料:

收藏着录: 石渠宝笈三编(延春阁),第六册,页2778 参考书目: 1.何传馨,〈淳化祖帖〉,收入林柏亭主编,《大观- 北宋书画特展》(台北:国立故宫博物院,2006年初版一刷),页309- 311。 内容简介(中文): 淳化阁帖刻于宋太宗淳化三年(992),由王着负责其事,为宋代官刻法帖之一。全帖总计十卷,前五卷为前代帝王、名臣、名贤书蹟,后五卷为二王书蹟。其时摹刻所据母本来源有三:其一系宋内府所藏前代法书,包括宋太宗募集所得在内;其二借自士大夫家藏;其三据南唐旧帖翻刻。由于原版在宋代毁于火厄,后人又据原拓辗转翻刻,以致于化身千百。本次展示第六卷王羲之书蹟。 (20110913) 内容简介(英文): The Chunhua Pavilion modelbooks were engraved in 992. With Wang Zhu responsible for the project, it was one of the official engravings of modelbooks in the Song dynasty. The entire set of modelbooks consists of ten volumes. The first five volumes deal with calligraphy of famous sages, officials, and emperors from previous dynasties. The latter five feature calligraphy of the Two Wangs (Wang Xizhi and Wang Xianzhi). At that time, there were three sources for the originals upon which the engraved copies were based. One was the calligraphy of previous dynasties from the collection of the Song inner court, including those that had been acquired by Emperor Taizong. The second featured works borrowed from the collections of scholars, and the other came from re-carvings of old modelbooks of the Southern Tang. Since the original woodblocks were destroyed by fire in the Song dynasty, later generations made re-carvings from rubbings, resulting in numerous manifestations. This exhibition displays volume six, featuring Wang Xizhi’s calligraphy.(20110913)
文章标签: 印记 宋太宗 资料 简介

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