书体:

行楷书

色彩:

装裱形式:

轴

创作时间:

文字类型:

汉文

质地:

本幅绢

释文:

栖迟终岁爱林丘。生长衡门重远游。供祭有田应自足。执鞭无地欲何求。诗篇赋就馀千首。刺板怀穿又几秋。今日见君闻达在。拟将名姓讬王侯。（右赠友人）。点苍之山天下雄。丹梯石栈凌虚空。崇巖不散千年雪。飞瀑长奔万丈虹。蒹户岧峣开罨尽。林峦隐约见僊宫。愿操几杖追芳浊。时得盘游紫翠中。（右题雪屏山图）。青春乐事颇相宜。野竹藤花榻屡移。碧藻戏鱼他自得。隣翁尊酒不须期。眼边俗物真无有。醉里轻狂恣所为。懒惰似存天性在。行藏莫遣世人知。（右春日有怀）。二月芳洲杨柳春。刀鱼无数出江津。珍调况对兰陵酒。玉食深慙草泽人。大嚼侵朝真自快。长歌终日蹔忘贫。浓鲜尚有河屯美。何得乘时与致新。（右谢惠刀鱼戏所河屯）。大江飞浪急奔雷。雪喷银飜石壁摧。龙象怒挥坤轴转。鲸猊争傍海门来。舳舻对酒千艘尽。铁锁乘风百仞开。怀古感时多少恨。侧身天地有馀哀。（右江上）。黎杖穿云逸兴饶。鹖冠蓬鬓任萧萧。群鸟避客时窥竹。双鹤亲人亦度桥。几树小桃方欲绽。半巖残雪未全消。无边春草萋萋绿。日暮王孙似可招。（右山行怀人）。风雨无端不出门。草烟荒迳掩黄昏。雨沾柳线垂垂湿。风荡花枝故故飜。溪上酒尊空岁月。天涯兄弟阻寒暄。白头尽减疎狂兴。肠断何由与共论。（右春阴怀人）。风回溪闇总萧萧。野思闲门坐寂寥。黄鹄远怀虚晚计。白鸥生意满春潮。老侵鬓雪星星出。愁逐心旌泛泛摇。三窟已甘书狡兔。一枝元自学鹪鹩。（右溪上阻病赋怀）。春江无侣伴鸥闲。飞阖携壶乐自关。望处虚空浮二水。坐中烟雾失群山。渔歌野篴时相和。翠篠朱藤近可攀。尘鞅未能逃世网。盘游且得慰衰颜。（右游弘济寺）。葵丘王逢元。

印记资料:

作者印记：王子新印
作者印记：奇树斋
作者印记：壶山子印
作者印记：太原
鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈初编（御书房），下册，页1096 收藏着录： 故宫书画录（卷二），第一册，页12 内容简介（中文）： 王逢元，生卒年不详，金陵（今南京）人。字子新，号吉山。王韦之子，擅书，楷法锺繇，草法王羲之父子。由于父子俱能书，人遂以大令呼逢元。王逢元以书名于当世，或有人议其真书稍肥，顾璘则谓其庄重沉着，脱去佻巧，独得锺、王遗法。另周晖亦谓其书初学王羲之、智永、晚年乃出入黄庭坚。本幅为乌丝栏本，王逢元以行楷书七言律诗九首，运笔间带有山谷意趣。 内容简介（英文）： This work is unusual in that thin black vertical lines separate the rows of characters. The brushwork of these nine poems, written in the running and standard scripts, reflects the influence of the famous Sung dynasty calligrapher Huang T'ing-chien (1045-1105). Some have criticized Wang's standard script as being "slightly fat"; Ku Lin (1476-1545), however, said Wang's works were sedate, calm, and free of preciosity and stated moreover that they reflected his successful absorption of the styles of Chung Yu (151-230), Wang Hsi-chih (309-ca. 365), and Wang Hsien-chih (344-388). Chou Hui said that Wang initially studied Wang Hsi-chih and Chih-yung (557-589) and in his later years followed Huang T'ing-chien. Wang Feng-yuan, a native of Chin-ling (modern Nanking), was the son of Wang Wei. In his standard script he followed Chung Yu and in his grass script, Wang Hsi-chih and his son, Hsien-chih.