书体:

楷书

色彩:

装裱形式:

轴

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

上天垂象。北极着于文昌。先王建邦。南宫列为会府。六官既辩。四方是则。大总其纲。小持其要。礼乐刑政。于是乎达。而王道备矣。圣上至德光被。睿谋广运。提大象以祐生人。躬无为以风天下。三台淳曜。百辟承宁。动必有成。举无遗策。年和俗厚。千载一时。而犹搜择茂异。网罗俊逸。野罄兰芳。林殚松秀。尽在于周行矣。夫尚书郎廿四司。凡六十一人。上应星纬。中比神仙。咸擅国华。以成台妙。修词制天一之议。伏奏为朝廷之容。信杞梓之薮泽。衣冠之领袖。临张长史郎官壁记。董其昌。

印记资料:

作者印记：董其昌印
作者印记：大宗伯印
鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：干清宫鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：张照之印

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈续编（干清宫），第一册，页442 收藏着录： 故宫书画录（卷二），第一册，页13 内容简介（中文）： 董其昌（西元一五五五－一六三六年），字玄宰，号思白，江苏华亭人。万历十七年（一五八九）进士，官至礼部尚书，諡文敏。天才隽逸，善书画，富收藏，尤精鑑赏。临摹书蹟，至忘寝食。行楷之妙，称绝一代。本轴未署年，以所钤「大宗伯印」推断，当作于崇祯五年（一六三二）抵京应宫詹大宗伯之召以后。董氏好杂临诸家，独造奥妙，求其神似于不似间。本幅临张旭郎官壁记，略得张书之意，结体用笔，则见徐浩影响。 内容简介（中文）： 董其昌（西元一五五五－一六三六年），字玄宰，号思白，江苏华亭人。万历十七年（一五八九）进士，官至礼部尚书。善书画，富收藏，尤精鑑赏。行楷之妙，称绝一代。本轴钤「大宗伯印」，当作于崇祯五年（一六三二）应宫詹大宗伯之召后。董其昌好杂临诸家，独造奥妙，求其神似于不似间。本幅节临唐张旭郎官壁记，略得张书笔法精严之意，结体沉稳，运笔生动，表现出晚年本色书风。(20121017) 内容简介（英文）： Dong Qichang (style name Xuanzai, sobriquet Sibo) was a native of Huating, Jiangsu. A Presented Scholar of 1589, he served as Minister of Rites. He excelled at painting and calligraphy, amassing a large collection and being an excellent connoisseur. Marvelous at semi-standard script, he was unparalleled in his time. This scroll is impressed with “Seal of the Minister of Rites,” meaning it was done after Minister of Rites Zhan summoned him to that position. Dong excelled at copying the ancient masters, attaining wondrous results in spirit but not necessarily form. This is an abstracted copy of Zhang Xu’s inscription, capturing roughly his refined brushwork. The characters are stable and the brush animated, revealing features of Dong’s late style.(20121017) 内容简介（英文）： Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing, Kiangsu province. His style name was Hsüan-tsai and he was known by the sobriquet Ssu-pai. He obtained the chin-shih degree in 1589 and went on to become the Minister of the Ministry of Rites. He was given the posthumous title Wen-min. Tung was exceptionally talented and accomplished as a calligrapher and painter; he was also a collector and an outstanding connoisseur. He frequently made free-copies and copies of old calligraphic works to the point that he would forget to eat or sleep. His ingenious semi-cursive and standard scripts were considered the best of his time.The "ta-tsung-po-yin" (seal of the great Tsung-po) seal impressed on this hanging scroll indicates that it was written after 1632, when Tung was summoned to this position. Tung enjoyed free-copying works by various calligraphers and creating a mysterious aura, capturing a spirit which lay somewhere between resemblance and non-resemblance. This scroll is a free-copy of Chang Hsü’s Inscription on a Minister's Wall is a free-copy of Chang's style, and roughly captures Chang's style, but the structure of Tung's characters and the brushwork reflect the influence of Hsü Hao (703-782).