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臣某言。中使陈日华至。伏奉圣旨。慰劳臣及将佐官吏僧道耆寿百姓等。并赐臣墨诏及春衣两副。大将军衣四副。王人捧诏御府降衣。宠光不隔于遐藩。庆赐猥霑于裨将。臣素乏器能。谬膺驱使。每慙效薄。常惧食浮。陛下覃以至仁。均其厚施。宰元和而布泽。顺时律以颁衣。出自禁中。贲于臣下。执领襘而抃舞失次。被纤柔而顾眄增辉。举体动容。既安且吉。在身不称。恐招鹈翼之讥。(叨字点去)居位无功。叨鹤纹之赐。刘宾客谢赐春衣表。其昌。印记资料:
作者印记:宗伯学士题跋资料:
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收藏着录: 石渠宝笈初编(养心殿),上册,页640 收藏着录: 故宫书画录(卷二),第一册,页16-17 内容简介(中文): 本幅为行楷书唐刘禹锡谢春衣表。董其昌一生学书。除潜心于颜。徐。米。赵外。对于其他大家。亦是遇书即临学。故平日自娱。或为他人写字。不规规于某人某家。独能自具风格。本幅行间布墨。极其舒畅。而字带有颜真卿之笔法。又略具赵孟頫之姿态。故极自然秀雅。 内容简介(英文): This piece is in semi-cursive script. The principal models for Tung Ch'I-ch'ang's calligraphy were Yen Chen-ch'ing, Hsu Hao, Mi Fei, and Chao Meng-fu; however, whenever he chanced upon good calligraphy by another master he would not fail to imitate it. Whether he was writing for his own enjoyment of for other people, he did not bind himself too rigidly to the past, but established his individual style. The calligraphy of this piece is relaxed and fluent, with a touch of Yen Chen-ch'ing's brushwork and Chao Meng-fu's manners. It does not lack his natural elegance.