书体:

草书

色彩:

装裱形式:

卷

创作时间:

文字类型:

汉文

质地:

本幅纸拖尾纸

释文:

省别。具足下小大问。为慰。多分张。念足下悬情。武昌诸子。亦多远宦。足下兼怀。并数问不。老妇顷疾笃。救命。恒忧虑。馀粗平安。知足下情至。

印记资料:

收传印记：宣
收传印记：和
收传印记：宣和
收传印记：大观
收传印记：明昌御览
收传印记：群玉中祕
收传印记：秋壑图书
收传印记：端本
收传印记：神
作者印记：品
收传印记：项子京家珍藏（重一）
收传印记：项墨林父祕笈之印（重一）
收传印记：项元汴印（重一）
收传印记：墨林
收传印记：项墨林鑑赏章
收传印记：檇李项氏士家宝玩
收传印记：子京所藏
收传印记：子孙世昌
收传印记：仪周鉴赏
收传印记：仪周珍藏
收传印记：安仪周家珍藏
收传印记：心赏
收传印记：公
收传印记：琴书堂
收传印记：丹诚
收传印记：琴书堂印
收传印记：都尉耿信公书画之章
收传印记：信公鉴定珍藏
收传印记：耿嘉祚
收传印记：会侯珍藏（重一）
收传印记：信公珍赏
收传印记：耿会侯鉴定书画之章
收传印记：信公珍祕
收传印记：耿湛恩章
收传印记：湛恩记
收传印记：半古轩书画印
收传印记：张氏珍玩
收传印记：北燕张氏宝藏

题跋资料:

题跋类别：题签；宋徽宗前隔水 ；书体：楷书；全文：晋王羲之远宦帖。印记：（双龙方玺）

主题:

技法:

参考资料:

收藏着录： 故宫书画录（卷一），第一册，页5-6 收藏着录： 国宝的形成-书画菁华特展，页40-43、302 参考书目： 1.张光宾，〈晋王羲之远宦帖〉，收入王耀庭、许郭璜、陈阶晋编，《故宫书画菁华特辑》（台北：国立故宫博物院，1987年初版，2001年再版），页12-13。2.何炎泉，〈晋王羲之远宦帖〉，收入何传馨、何炎泉、陈韵如编，《晋唐法书名蹟》（台北：国立故宫博物院，2008年初版），页39-41。3.张光宾，〈国之重宝 — 书画精萃特展〉，《故宫文物月刊》，第19期（1984年10月），页14-15。4.本社，〈晋王羲之远宦帖〉，《故宫文物月刊》，第80期（1989年11月），页1。5.张光宾，〈晋王羲之远宦帖〉，《故宫文物月刊》，第100期（1991年7月），页94-95。6.〈远宦帖〉，收入何传馨、陈阶晋、侯怡利编，《故宫法书新编（一）晋 王羲之墨蹟》（台北：国立故宫博物院，2010年初版一刷），页64-71。 内容简介（中文）： 王羲之（303－361）此帖亦称〈省别帖〉，为双钩廓填本，先以墨线勾勒轮廓后加以填墨，是古代法书复制中最逼真的方式，有「下真迹一等」之说。前黄绢隔水有宋徽宗瘦金书题及印记，曾着录于《宣和书谱》，亦有金章宗及元、明、清诸收藏印。受信者为益州刺史周抚（293－365），是羲之晚年所作。传世唐《十七帖》亦收此札，然较呆板且缺乏笔法的细致变化，已失羲之原貌，远不如此双钩墨蹟本的传神。(20081012) 内容简介（中文）： 王羲之（西元三○七－三六五年），原籍山东临沂，字逸少。精于法书各体，亦能绘事。其书法不但见重于当时，后世更尊为书圣。远宦帖亦名「省别帖」，是王氏写与周抚之信。有北宋「大观」、「宣和」，金「明昌御览」，元「端本」等印；明为项元汴，经清耿会侯、安岐等人收藏，转入清宫。 内容简介（英文）： Wang Hsi-chih was a member of the aristocratic Wang clan that moved south from Lin-i, Shantung province. Wang was skilled in almost all of the various scripts and he was already highly regarded in his own time. Later generations elevated him to the supreme position as "The Sage of Calligraphy".This letter, also known as the name the Hsing-pieh Modelbook, was originally written by Wang Hsi-chih to Chou Fu. It carries imperial seals of the Northern Sung, Chin, and Yuan dynasties as well as those of famous private collectors such as Hsiang Yuan-pien and An Ch'i. In the Ch'ing dynasty, it once again entered the imperial collection. The fluid cursive script here reveals the flowing brushwork and liberated touch of this "sage" calligrapher. 内容简介（英文）： This work by Wang Hsi-chih, also known as “Hsing-pieh,” is a tracing copy done in the “double outlines filled with ink” method. A very fine brush was first used to trace the outlines of the individual strokes and dots, which were then carefully filled with ink. This was the most faithful method of reproducing calligraphy in ancient times, hence “ranking second only to the original.” The separating section of yellow silk at the front bears a title inscription in “slender gold” script by the Sung emperor Hui-tsung (r. 1100-1125) along with his collection seals, and this work was also included in his Hsüan-ho Calligraphy Catalogue. The piece bears collectors seals from Emperor Chang-tsung (r. 1190-1208) of the Chin dynasty through the Yüan, Ming, and Ch’ing dynasties. The recipient of this letter was the Prefect of I-chou, Chou Fu (293-365), and this is a late work by Wang Hsi-chih. The compilation entitled “Seventeen Works” surviving from the T’ang dynasty (618-907) also includes this letter, but it is stiffer and lacks the subtle transformations of the brush. Without the original appearance, it is far inferior to the outline ink tracing seen here. (20081012) 网页展示说明 王羲之（303－361）此帖因起首二字「省别」故亦称〈省别帖〉，为双钩廓填本，制作时先以墨线勾勒线条外轮廓后加以填墨，是古代法书复制中最逼真的方式，有「下真迹一等」的说法。前黄绢隔水有宋徽宗瘦金书签题及内府印记，曾经《宣和书谱》着录，亦有金章宗「群玉中秘」、「明昌御览」印及元、明、清诸收藏印。根据内容可知受信者为益州刺史周抚（293－365），是羲之晚年所书。传世唐《十七帖》刻本中亦收有此札，然而线条较为呆板且无法表现出用笔上的细致变化，完全失去羲之书法之风貌，远不如双钩墨蹟本的逼真传神。(20081012) 网页展示说明 Because this work begins with the two characters “Hsing-pieh,” it is also known as such. This is a copy using outlines filled with ink, in which the outlines of the individual strokes are carefully delineated with brushstrokes and then filled with ink. It was the most faithful method of making a copy in ancient times, hence the saying that it “ranks second only to the original itself.” The separate piece of yellow silk at the front bears a title in Emperor Hui-tsung's (r. 1100-1125) “slender gold” script of the Sung dynasty along with seal impressions of the imperial household. It was also recorded in Hui-tsung's Hsüan-ho Calligraphy Catalogue and also includes seal impressions for “Ch'un-yü chung-pi” and “Ming-ch'ang yü-lan” of the Chin emperor Chang-tsung (r. 1190-1208) as well as collections of later (Yüan, Ming, and Ch'ing) dynasties. Judging from the contents of the letter, we know that the recipient was the Prefect of I-chou, Chou Fu (293-365), and that this is a late work by Wang Hsi-chih. This letter also appears in the compilation “Shih-ch'i” surviving from the T'ang dynasty (618-907), but the lines there are stiffer and do not reflect the delicate touches of the brush, completely lacking the style of Wang Hsi-chih's calligraphy. Thus, it is much inferior to the faithfulness of outline copies such as this work. (20081012)