书体:

行楷书

色彩:

装裱形式:

卷

创作时间:

文字类型:

汉文

质地:

本幅纸拖尾纸

释文:

感兴诗并序。馀读陈子昂感遇诗。爱其词旨幽邃。音节豪宕。非当世词人所及。如丹砂空青。金膏水碧。虽近乏世用。而实物外难得自然之奇宝。欲效其体作十数篇。顾以思致平凡。笔力萎弱。竟不能就。然亦恨其不精于理而自讬于仙佛之间以为高也。斋居无事。偶书所见。得廿篇。虽不能探索微眇。追迹前言。然皆切于日用之实。故言亦近而易知。既以自警且以贻同志云。昆仑大无外。旁礴下深广。阴阳无停机。寒暑互来往。羲皇古神圣。妙契一俯仰。不待窥马图。人文已宣朗。浑然一理贯。昭晰非象罔。珍重无极翁。为我重指掌。吾观阴阳化。升降八纮中。前瞻既无始。后际那有终。至理谅斯存。万古与今同。谁言混沌死。幻语惊盲聋。 人心妙不测。出入乘气机。凝冰亦焦火。渊沦复天飞。至人秉元化。动静体无违。珠藏泽自媚。玉韫山含晖。神光烛九垓。玄思澈万微。尘编今寥落。歎息将安归。　静观灵台妙。万化从此出。云胡自芜秽。反受众形役。厚味纷朶颐。妍姿坐倾国。崩奔不自悟。驰骛靡终毕。君看穆天子。万里穷辙迹。不有祈招诗。徐方御晨极。 泾舟胶楚泽。周纲已陵夷。况复王风降。故宫黍离离。玄圣作春秋。哀伤实在兹。祥麟一以踣。反袂空涟洏。漂沦又百年。僭侯荷爵珪。王章久已丧。何复嗟歎为。马公述孔业。讬始有馀悲。拳拳信忠厚。无乃迷先几。 东京失其御。刑臣弄天纲。西园植奸秽。五族沈忠良。青青千里草。乘时起陆梁。当涂转凶悖。炎精遂无光。桓桓左将军。仗钺西南疆。伏龙一奋跃。凤雏亦飞翔。祀汉配彼天。出师惊四方。天意竟莫回。王图不偏昌。晋史自帝魏。后贤合更张。世无鲁连子。千载徒悲伤。 晋阳启唐祚。王明绍巢封。垂统已如此。继体宜昏风。麀聚渎天伦。牝晨司祸凶。干纲一以坠。天枢遂崇崇。淫毒秽宸极。虐焰燔苍穹。向非狄张徒。谁办取日功。云何欧阳子。秉笔迷至公。唐经乱周纪。凡例孰此容。侃侃范太史。受说伊川翁。春秋二三策。万古开群蒙。 朱光遍炎宇。微阴眇重渊。寒威闭九垓。阳德昭穷泉。文明昧谨独。昏迷有开先。几微谅难忽。善端本緜緜。掩身事斋戒。及此防未然。闭关息商旅。绝彼柔道牵。 微月队西岭。烂然众星光。明河斜未落。斗柄低复昂。感此南北极。枢轴遥相当。太一有常居。仰瞻独煌煌。中天照四国。三辰环侍旁。人心要如此。寂感无边方。 放勋始钦明。南面亦恭已。大哉精一传。万世立人纪。猗与歎日跻。穆穆歌敬止。戒獒光武烈。待旦起周礼。恭惟千载心。秋月照寒水。鲁叟何常师。删述存圣轨。 吾闻庖羲氏。爰初闢乾坤。干行配天德。坤布协地文。仰观玄浑周。一息万里奔。俯察方仪静。颓然千古存。悟彼立象意。契此入德门。勤行当不息。敬守思弥敦。　大易图象隐。诗书简编讹。礼乐矧交丧。春秋鱼鲁多。瑶琴空宝匣。弦绝将如何。兴言理馀韵。龙门有遗歌。颜生躬四勿。曾子日三省。中庸思（旁注守字）谨独。衣锦思尚䌹。伟哉邹孟氏。雄辩极驰骋。掺存一言要。为尔挈裘领。丹青着明法。今古垂焕炳。何事千载馀。无人践斯境。 元亨播群品。利贞固灵根。非诚谅无有。五性实斯存。世人逞私见。凿智道弥昏。岂若林居子。幽探万化原。飘飘学仙侣。遗世在云山。盗启玄命秘。窃当生死关。金鼎蟠龙虎。三年养神丹。刀圭一入口。白日生羽翰。我欲往从之。脱屣谅非难。但恐逆天道。偷生讵能安。西方论缘业。卑卑喻群愚。流传世代久。梯接凌空虚。顾盼指心性。名言超有无。捷径一以开。靡然世争趋。号空不践实。踬彼榛棘涂。谁哉继三圣。为我焚其书。 圣人司教化。黉序育群材。因心有明训。善端得深培。天叙既昭陈。人文亦褰开。云胡百代下。学绝教养乖。群居竞葩藻。争先冠伦魁。淳风久沦丧。扰扰胡为哉。 童蒙贵养正。逊弟乃其方。鸡鸣咸盥栉。问讯谨暄凉。捧水勤播洒。拥篲周室堂。进趋极虔恭。退息常端庄。劬书剧嗜炙。见恶逾探汤。庸言戒麁诞。时安（旁注行字）必安详。圣涂虽云远。发轫且勿忙。十五志于学。及时起高翔。 哀哉牛山木。斤斧日相寻。岂无萌蘖在。牛羊复来侵。恭惟皇上帝。降此仁义心。物欲互攻夺。孤根孰能任。反躬艮其背。肃容正冠襟。保养方自克（克字点去）此。何年秀穹林。 玄天幽且默。仲尼欲无言。动植各生遂。德容自清温。彼哉夸毗子。呫嗫徒啾喧。但骋言词好。岂知神鉴昏。曰予昧前训。坐此枝叶蕃。发愤永刊落。奇功收一原。后学赵孟頫书。

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺
收传印记：董氏玄宰
收传印记：王俨斋鑑赏法墨名画
收传印记：宝奎堂（重二十一）
收传印记：斋收藏记（半印）
鑑藏宝玺：础（重一）
收传印记：凤起

题跋资料:

题跋类别：作者款识；作者：赵孟頫；题跋位置：本幅；款识：后学赵孟頫书；全文：；书体：行楷书；全文： 印记：赵氏子昂

题跋类别：题跋；作者：陈淳拖尾嘉靖癸卯（西元1543年）仲冬望后。白阳山人陈道复。 赵文敏公书。妙绝古今。片纸只字。重如金玉。况此钜卷。尤为罕见。馀尝藏公所书道德经小楷一卷。文赋一卷。今皆散失。若并得之。可相伯仲。洛川其用心求购。吾将快覩焉。嘉靖癸卯（西元1543年）仲冬望后。白阳山人陈道复。印记：复父氏

主题:

技法:

参考资料:

收藏着录： 石渠宝笈初编（御书房），下册，页914 收藏着录： 故宫书画录（卷三），第一册，页79 内容简介（中文）： 赵孟頫。西元一二五四至一三二二。湖州吴兴人。字子昂。号松雪道人。宋宗室裔。仕元。至翰林学士承旨。封魏国公。諡文敏。诗文清远。书画为后世所宗。明王世懋评其书曰。文敏书多从二王法中来。其体势紧密。则得之右军王羲之。姿态朗逸。则得之大令王献之。至书碑。则酷李北海李邕岳麓娑罗体。元黄溍评云。赵氏用意楷法。穷极精密。故其出而为行草。无不妙契古人。此卷为其行楷之精而清妙者。 内容简介（中文）： 赵孟頫（西元一二五四－一三二二年），浙江吴兴人。字子昂，号松雪道人，为宋宗室。宋亡，侍御史程钜夫奉诏搜访遗逸，孟頫因而出仕为官，至翰林学士承旨。死后，追封魏国公，諡文敏。其书法力追晋唐，提倡复古，影响当代甚钜。宋代理学家朱熹受唐代诗人陈子昂〈感遇诗〉启示，曾作〈感兴诗〉二十首。赵孟頫书此卷用笔清秀苍劲，肥瘦参差，体势奇宕多姿。(20100406) 内容简介（英文）： Zhao Mengfu (style name Zi’ang) was native to Wuxing, Zhejiang, and a member of the Song imperial house. After the Song fall, the Yuan official Cheng Jufu was ordered to seek former loyalists, Zhao answering the call to serve the Yuan court and becoming Hanlin Academician Recipient of Edicts. He was posthumously awarded the rank of Duke of Wei and entitled Wenmin. In calligraphy he pursued Jin and Tang styles, promoting revivalism and having a major influence in his day. The famous Song Neo-Confucian scholar Zhu Xi was inspired by “Poetry on Experiences” by Chen Zi’ang of the Tang dynasty and did 20 “Poems on Joy.” Zhao’s calligraphy here is delicate yet strong with both thick and thin strokes creating various forms and forces.(20100406) 内容简介（英文）： Chao Meng-fu, a member of the Sung Imperial family, lived in Wu-hsing. His style name was Tzu-ang; his sobriquet was Sung-hsueh tao-jen. He served as an official under the Mongol Yuan dynasty, and was enfeoffed as Duke of the State of Wei. His paintings and calligraphy served as models for later generations. Wang Shih-mou, a critic of the Ming dynasty, once criticized Chao Meng-fu's calligraphy, saying:"Wen-min's calligraphy comes for the most part from the idioms of Wang Hsi-chih and Wang hsien-chih. The density of the expressive force of his brush he got from Wang hsi-chih, the clear-cut untrammeled mood of his writing from Wang Hsien-chih. However, Chao Meng-fu's calligraphy for steles rather resembles Li Yung's "Yueh-lu-tzu-lo" script. The present scroll is one of the more brilliant and marvellous examples of Chao Meng-fu's semicursive standard script.