书体:

草书

色彩:

装裱形式:

卷

创作时间:

明世宗嘉靖二年（1523）

文字类型:

汉文

质地:

本幅纸

释文:

千字文。天地玄黄。宇宙洪荒。日月盈昃。辰宿列张。寒来暑往。秋收冬藏。闰馀成岁。律吕调阳。云腾致雨。露结为霜。金生丽水。玉出昆岗。剑号巨阙。珠称夜光。果珍李柰。菜重芥薑。海咸河淡。鳞潜羽翔。龙师火帝。鸟官人皇。始制文字。乃服衣裳。推位让国。有虞陶唐。吊民伐罪。周发殷汤。坐朝问道。垂拱平章。爱育黎首。臣伏戎羌。遐迩壹体。率宾归王。鸣凤在树。白驹食场。化被草木。赖及万方。盖此身发。四大五常。恭惟鞠养。岂敢毁伤。女慕贞絜。男效才良。知过必改。得能莫忘。罔谈彼短。靡恃己长。信使可复。器欲难量。墨悲丝染。诗赞羔羊。景行维贤。克念作圣。德建名立。形端表正。空谷传声。虚堂习听。祸因恶积。福缘善庆。尺璧非宝。寸阴是竞。资父事君。曰严与敬。孝当竭力。忠则尽命。临深履薄。夙兴温凊。似兰馨斯。如松之盛。川流不息。渊澄取暎。容止若思。言辞安定。笃初诚美。慎终宜令。荣业所基。籍甚无竟。学优登仕。摄职从政。存以甘棠。去而益咏。乐殊贵贱。礼别尊卑。上和下睦。夫唱妇随。外受傅训。入奉母仪。诸姑伯叔。犹子比儿。孔怀兄弟。同气连枝。交友投分。切磨箴规。仁慈隐恻。造次弗离。节义廉退。颠沛匪亏。性静情逸。心动神疲。守真志满。逐物意移。坚持雅操。好爵自縻。都邑华夏。东西二京。背邙面洛。浮渭据泾。宫殿盘郁。楼观飞惊。图写禽兽。画䌽僊灵。丙舍傍启。甲帐对楹。肆筵设席。鼓瑟吹笙。陞阶纳陛。弁转疑星。右通广内。左达承明。既集坟典。亦聚群英。杜藁锺隶。漆书壁经。府罗将相。路侠槐卿。户封八县。家给千兵。高冠陪辇。驱毂振缨。世禄侈富。车驾肥轻。策功茂实。勒碑刻铭。磻谿伊尹。佐时阿衡。奄宅曲阜。微旦孰营。桓公匡合。济弱扶倾。绮回汉惠。说感武丁。俊乂密勿。多士寔宁。晋楚更霸。赵魏困横。假途灭虢。践土会盟。何遵约法。韩弊烦刑。起翦颇牧。用军最精。宣威沙漠。驰誉丹青。九州禹蹟。百郡秦并。岳宗恒岱。禅主云亭。雁门紫塞。鸡田赤城。昆池碣石。钜野洞庭。旷远緜邈。巖岫杳冥。治本于农。务兹稼穑。俶载南亩。我艺黍稷。税熟贡新。劝赏黜陟。孟轲敦素。史鱼秉直。庶几中庸。劳谦谨敕。聆音察理。鉴貌辨色。贻厥嘉猷。勉其祗植。省躬讥诫。宠增抗极。殆辱近耻。林臯幸即。两踈见机。解组谁逼。索居閒处。沈默寂寥。求古寻论。散虑逍遥。欣奏累遣。慼谢欢招。渠荷的历。园莽抽条。枇杷晚翠。梧桐早凋。陈根委翳。落叶飘飖。游鹍独运。凌摩绛霄。躭读翫市。寓目囊箱。易輶攸畏。属耳垣?。具膳餐饭。适口充肠。饱饫烹宰。饥厌糟糠。亲戚故旧。老少异粮。妾御绩纺。侍巾帷房。纨扇圆洁。银烛炜煌。昼眠夕寐。蓝笋象床。弦歌酒燕。接杯举觞。矫手顿足。悦豫且康。嫡后嗣续。祭祀烝尝。稽颡再拜。悚惧恐惶。牋牒简要。顾答审详。骸垢想浴。执热愿凉。驴骡犊特。骇跃超骧。诛斩贼盗。捕获叛亡。布射辽丸。嵇琴阮啸。恬笔伦纸。钧巧任钓。释纷利俗。并皆佳妙。毛施淑姿。工颦妍笑。年矢每催。曦晖朗曜。于玑悬斡。晦魄环照。指薪修祜。永绥吉劭。矩步引领。俯仰廊庙。束带矜庄。裵徊瞻眺。孤陋寡闻。愚蒙等诮。谓语助者。焉哉乎也。馀笔虽拙。素不书此。癸未（西元一五二三年）闰四月望后。过云庄楼。酒次。出经纸索书千文。自与云庄谊厚。勉为书此。诚为贻笑于大方也。枝山老樵祝允明。

印记资料:

作者印记：允明
鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：侯思炳印（重一）
收传印记：渔邨小隐（重一）
收传印记：渔邨（重五）
收传印记：侯思炳印（重五）
收传印记：仙客（重一）
收传印记：式古堂书画（重一）
收传印记：令之
收传印记：式古堂（重五）
收传印记：仪周鑑赏
收传印记：安仪周家珍藏
收传印记：心赏

题跋资料:

主题:

技法:

参考资料:

收藏着录： 故宫书画录（卷一），第一册，页106 收藏着录： 石渠宝笈初编（御书房），下册，页936-937 参考书目： 1.何传馨，〈四海一家 —本院文物赴美参展「一四九二之际探险时代之艺术」图录专辑〉，《故宫文物月刊》，第103期（1991年10月），页16-17。2.〈明祝允明书千字文〉，收入何传馨、陈阶晋、侯怡利主编，《五体千字文选辑》（台北：国立故宫博物院，2010年六月出版一刷），页51。3.何炎泉，〈千字文概论〉，收入何传馨、陈阶晋、侯怡利主编，《五体千字文选辑》（台北：国立故宫博物院，2010年六月出版一刷），页176-188。 内容简介（中文）： 祝允明（1460－1526），字希哲，号枝山，长洲（今苏州）人，三十三岁荐为举人，五十五岁任广东兴宁知县，后升任应天府（今南京）通判。书法广泛师法古人，有多样的面貌。本卷通幅空间的疏密布列、笔势的抑扬顿挫，与运笔的轻重缓急等，都蕴含着丰富变化。虽字字独立，然在书家精熟用笔与结字下，不仅行气连贯更带有纵横交错的整体感，为其六十四岁时之草书杰作。 内容简介（中文）： 祝允明（西元一四六0－一五二七年），字希哲，号枝山，江苏苏州人，三十三岁荐为举人，五十五岁任广东兴宁知县，后升任应天府（南京）通判。他具有多方面才艺，九岁能作诗，二十馀岁以古文扬名苏州，书法广泛师法古人，有丰富多变化的面貌，晚年以豪放纵逸的狂草享誉书坛。本卷草书千字文，以点画取态，以使转取势，将原本字字独立，整齐画一的千字文，写成行气连贯，横斜交错的整体作品，是六十四岁的杰作。 内容简介（英文）： Chu yun-ming (style name Hsi-che, sobriquet Chih-shan) was a native of Soochow. As a young man, Chu demonstrated his abundant talents in many arts. At the age of eight he could already write poetry, and while he was still in his twenties his essays in the ancient style received much admiration. In calligraphy he studied a broad range of ancient styles, resulting in the rich and constantly changing appearance of his writing. Chu was especially famous in calligraphy circles for his vigorous and unrestrained cursive script of his later years. This copy of the One-thousand Character Essay in cursive script, written when Chu Yun-ming was sixty-three years old, derives its expressiveness from the fluent brushstrokes and its feeling of motion from the turns of the brush. Departing from earlier calligraphic examples of the essay in which each individual character maintained its own structural and spatial integrity, Chu created a more unified work by stringing characters together vertically, and by paying special attention to the horizontal and diagonal relationships of characteers in adjacent lines. 内容简介（英文）： Zhu Yunming (style name Xizhe, sobriquet Zhishan) was a native of Changzhou (modern Suzhou). At the Chinese age of 33, he passed the provincial juren civil service examination through recommendation. Then, at 54, he assumed the post of Administrative Clerk in Xingning, Guangdong, and later was promoted to Assistant Prefect of Yingtianfu (modern Nanjing). In calligraphy, he learned from a wide range of old masters’ styles, developing a variety of manners. Here, the arrangement is spacious and the brush force modulating, the brush movement contrasting between light and heavy as well as slow and fast, revealing a great deal of change. Each character is independent, but the calligrapher’s adept brushwork and character forms not only create a sense of continuity between the lines but also uniformity as a whole, making this a masterpiece of cursive script done by Zhu at the Chinese age of 64.