书体:

行书

色彩:

装裱形式:

册(蝴蝶装)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

逋奉简三君。数日前曾劳下访。属以多故。未果致谢。感愧感愧。牓名必已见了。彼珍重者。果为两手所音矣。呵呵。如因暇时许相过否。驰此不宣。从表林逋顿首。四月十七日。所讬买物钱二索。省是前人留下。尚恐未足。馀俟面致。多感多感。

印记资料:

鑑藏宝玺：古希天子
收传印记：四川安抚制置使之印（重一半印）
收传印记：黄美曾观
收传印记：安氏仪周书画之章
收传印记：沈周宝玩

题跋资料:

题跋类别：题跋；作者：清高宗本幅左右示票纸乙酉暮春月御题。三用苏轼韵；书体：行书；全文：金错刀书状樛曲。瑶躞锦贉古色绿。是谁遗蹟乃惊人。林句苏和两珠玉。世间书卷岂不夥。半属伪为半荏俗。逋清坡健此联珍。焕觉虹光屋梁烛。携来即境证精神。三度赓吟意未足。论帖早匹乞鹿脯。说偈不碍烧猪肉。两翁出处纵殊致。一例高风有史录。佳湖山处缅芳踪。异代同时通款曲。谁谓两翁真往哉。后人常抚祠前竹。祠中古貎粹如生。鄙矣长生学服菊。乙酉暮春月御题。三用苏轼韵。

题跋类别：题跋；作者：裘曰修本幅左右示票纸臣裘曰修恭跋；书体：行书；全文：内府所藏有林逋诗。苏轼书后。乾隆丁丑。皇上用原韵题其端。嗣是凡再叠韵。皆翠华南幸时作也。读之觉风云壮色。山水增辉。玉局翁当为却步。岁次戊子。臣修购得此册于金台王氏。为和靖二札。盖正定梁清标家旧物也。册尾有石田诸人诗。并和坡韵。因敬录御题于左右幅。且以见人苟自立。虽遯迹于枯槁寂寞中。犹能邀圣天子异代之知。抚其遗墨。往复歌咏如是。使当斯世而尚有隐君子如林逋其人者。其亦可以闻风兴起也哉。臣裘曰修恭跋。印记：臣裘曰修、敬书

主题:

技法:

参考资料:

收藏着录： 石渠宝笈续编（宁寿宫），第五册，页2657 收藏着录： 故宫书画录（卷三），第一册，页12 内容简介（中文）： 林逋（西元967-1028），字君复，钱塘（今杭州）人，少力学好古，性恬淡，隐于西湖之孤山。不娶无子，种梅养鹤，自称梅妻鹤子。仁宗諡和靖先生。工行草书，苏轼称林书似李西台肉稍少。历来评论林逋的书风，均讚扬他的清劲，正如他的咏梅名句「暗香疏影」，逸出尘外，其清处，呈现于其宽松之行距，故篇幅中有一股疏朗的情趣，其劲处则表现在笔划的力量。此件下笔以尖削居多，而转折处也显得方硬，单字之结体往往置重心于一角。本幅选自「宋林逋手札二帖」册第二幅。 内容简介（英文）： Lin P'u (style name Chü-fu) was a native of Ch'ien-t'ang (modern Hangchou). As a youth he was a diligent student, and later he forsook wordly matters and became a hermit at Solitary Peak at Western Lake in Hangchou. With no spouse or children, he grew plum trees and raised cranes instead, considering them his family. He was posthumously entiltled by emperor Jen-tsung(r.1023-1063) as Ho-ching. Lin excelled at running and grass scripts, which Su Tung-p'o(1036-1101) once called pared-down versions of the brush strokes of Li Chien-chung(945-1013). All later critics of Lin's calligraphic style applaud the clarity and strength of his brushwork, just like Lin's famous stanza admiring the plum blossom, "Hidden fragrance and scattered shadows." Untrammeled and unfettered, the clarity of this work is revealed in the generous spacing between the lines which produces a feeling of peace and calm. The forceful places are represented by the powerful use of the brush. The tip of the brush has been used frequently, and the turns in the direction of the brush are hard. The composition and weight of each character has been shifted to one side.This is the second leaf in the album Sung Lin P'u shou-cha.