书体:

行书

色彩:

装裱形式:

册(经折装)

创作时间:

元顺帝至正二十年（1360）

文字类型:

汉文

质地:

本幅纸

释文:

（乌丝阑本。定武禊帖。）永和九年。岁在癸丑。暮春之初。会于会稽山阴之兰亭。脩稧事也。羣贤毕至。少长咸集。此地有崇山峻领。茂林脩竹。又有清流激湍。映带左右。引以为流殇曲水。列坐其次。虽无丝竹管弦之盛。一觞一咏。亦足以畅敍幽情。是日也。天朗气清。惠风和畅。仰观宇宙之大。俯察品类之盛。所以游目骋怀。足以极视听之娱。信可乐也。夫人之相与俯仰一世。或取诸怀抱。悟言一室之内。或因寄所讬。放浪形骸之外。虽趣舍万殊。静躁不同。当其欣于所遇。蹔得于己。快然自足。曾不知老之将至。及其所之既惓。情随事迁。感慨系之矣。向之所欣。俛仰之閒。以为陈迹。犹不能不以之兴怀。况脩短随化。终期于尽。古人云。死生亦大矣。岂不痛哉。每揽昔人兴感之由。若合一契。未尝不临文嗟悼。不能喻之于怀。固知一死生为虚诞。齐彭殇为妄作。后之视今。由今之视昔。悲夫。故列敍时人。录其所述。虽世殊事异。所以兴怀。其致一也。后之揽者。亦将有感于斯文。至正廿年（西元一三六０年）夏四月十又八日。紫芝生俞和子中临于清隐行斋。

印记资料:

作者印记：清隐
作者印记：临池清赏
作者印记：俞和
作者印记：紫芝生
鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺

题跋资料:

题跋类别：作者款识；作者：俞和本幅一 ；书体：行书；全文：定武禊帖。特健药。印记：清隐、临池清赏

题跋类别：作者款识；作者：俞和本幅七 ；书体：楷书；全文：我本西湖紫芝叟。不但悠悠放杯酒。平生雅好得字髓。笔意翩翩落吾手。临河一序归玉京。后来传刻成怪丑。辛勤学书（脱一字）卌载。能遇几人开笑口。知书鑑画古所难。却笑醯鸡鸣罋牖。南宫松雪两夫子。异代合辙名不朽。窃将笔研忝末学。时写数行（缺）见取。吁嗟师法不再遇。空向城闉事奔走。明窗（缺）几谁友于。自歎临池今白首。印记：墨、妙

题跋类别：题跋；作者：清高宗后副叶 ；书体：行书；全文：垂露。印记：御赏、几暇鑑赏之玺、乾隆宸翰签清高宗封面 ；书体：行书；全文：俞和临定武禊帖。能品。印记：乾隆宸翰

主题:

技法:

参考资料:

收藏着录： 石渠宝笈初编（御书房），下册，页828 收藏着录： 故宫书画录（卷三），第一册，页70 内容简介（中文）： 俞和（西元一三0七－一三八二年），字子中，号紫芝生，暮年称紫芝老人，浙江杭州人。性冲澹安恬，隐居不仕，能诗，喜书翰。尝广临晋唐诸帖，功力极深。早年得见赵孟頫运笔之法，行草书逼真文敏，每用赵款识，仓卒莫能辨。明桑悦评其书谓「深得松雪笔意，而圭角稍露，比之于松雪，正如献之之于羲之也。」本幅运笔如写楷书，但也存有行书的活泼，正有赵字的特征。 内容简介（中文）： 俞和（西元一三○七－一三八二年），字子中，号紫芝生，暮年称紫芝老人，浙江杭州人。能诗，喜书翰，精各体，书风冲澹安恬，如其性。早年曾见赵孟頫运笔之法，明桑悦评其书谓「深得松雪笔意，而圭角稍露。」俞和尝广临晋唐名家碑帖，此临《定武兰亭》为其精妙之作，字形与行间位置悉依石刻拓本，不过用笔秀雅挺劲，结体工稳端丽，成于至正二十年（西元一三六○）夏。(20110101) 内容简介（英文）： Yu He, a native of Hangzhou in Zhejiang, was gifted at poetry and enjoyed calligraphy, practicing various scripts. His style was fluid and serene, like his character. In his early years he witnessed the method of Zhao Mengfu’s brushwork, Ming Sangyue once critiquing Yu’s calligraphy as “thoroughly achieving the brush idea of (Mengfu) with the angles slightly exposed.” Yu He often copied famous works and steles of the Jin and Tang dynasties, this being a masterful one of the Dingwu Orchid Pavilion Preface. The character forms and line spacing correspond entirely to the rubbing of the stone carving. However, the brushwork is more elegant and upright, the characters steady and comely as well. This work was done in the summer of 1360.(20110101) 内容简介（英文）： Yu Ho, a native of Hangchow, lived a quiet life in scholarly retreat and did not serve in office. An able poet, he was also fond of calligraphy and made superb copies of Chin and T'ang writings. As a youth, he viewed the master Chao Meng-fu do calligraphy and Yu was able to emulate his running and cursive scripts. Later collectors signed Chao's name to Yu's works, thus confusing them. Yu's calligraphy was considered as famous as that of his contemporary, Sung K'o. Sung Yuen (1447-1513) wrote that Yu "…had a profound understanding of Chao Meng-fu's use of ink, but his own style was more angular. Yu can be compared to Chao as Wang Hsien-chih to his father, Hsi-chih.