书体:

行书

色彩:

装裱形式:

册(蝴蝶装‧方幅式)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

君不见诗人借车无可载。留得一钱何足赖。晚年更似杜陵翁。右臂虽存耳先聩。人将蚁动作牛鬪。我觉风雷真一噫。闻尘扫尽根性空。不须更枕清流派。大朴初散失混沌。六凿相攘更胜坏。眼花乱坠酒生风。口业不停诗有债。君知五蕴皆是贼。人生一病今先差。但恐此心终未了。不见不闻还是碍。今君疑我特佯聋。故作嘲诗穷险怪。须防额痒出三耳。莫放笔端风雨快。次韵秦太虚见戏耳聋。

印记资料:

收传印记：心赏（半印）
收传印记：安仪周家珍藏
收传印记：朝鲜安麓邨珍藏书画印
收传印记：安
收传印记：仪周鑑藏
收传印记：闻厓宝玩

题跋资料:

题跋类别：题签； 裱纸  宋苏文忠公秦太虚诗帖。

主题:

技法:

参考资料:

收藏着录： 石渠宝笈续编（养心殿），第二册，页1097 收藏着录： 故宫书画录（第三卷），第一册，页141 收藏着录： 故宫历代法书全集，第十一册，页4-37、186-193 参考书目： 1.〈次韵秦太虚见戏耳聋诗〉，收入何传馨、陈阶晋、何炎泉编，《故宫法书新编（九）　宋　苏轼墨蹟(上)》（台北：国立故宫博物院，2011年九月初版一刷），页22-25。 内容简介（中文）： 苏轼（西元一O三六—一一O一年）字子瞻，自号东坡居士，四川眉山人。书法早年学兰亭，姿媚似徐浩，中岁学颜真卿、李邕。综观其书，结字稳密，姿态横生，黄庭坚誉为宋朝第一。此诗约作于元丰二年（一O七九年），为苏轼从徐州赴湖州太守途中，与秦观（一O四九—一一OO年）相遇时作，诗句戏谑夸张。本幅书法字形温润匀稳，用笔流畅，是苏轼早期佳作。(20100406) 内容简介（中文）： 苏轼〈西元1036-1101〉，字子瞻，自号东坡居士，四川眉山人。诗文书画俱成大家。少日学兰亭，其书姿媚似徐浩，中岁学颜真卿、杨凝式书，其合处不减李邕。综观其书，结字隐密，姿态横生，拘不取俗，纵不失度，黄山谷推誉为宋朝第一。 小字行书诗一首，为苏轼和秦观〈1049-1100〉见戏耳聋诗，旧评苏书多用卧笔，又略失肥，东坡尝作诗辩曰：「丰妍瘦硬各有态」。本福字形温润匀稳，不以略肥而失韵也，为苏书佳品。 内容简介（英文）： Su Shih（style name Tzu-tan and sobriquet Tung-p'o chu-shih）was a native of Mei-shan, Szechwan, and a master at poetry, prose, calligraphy, and painting. As a youth, he studied the Lan-t'ing preface by Wang His-chih（ca.307-ca. 365）. The appearance of his calligraphy resembled that of Hsü Hao（703-782）. In his middle years, Su studied the manners of Yen Chen-ch'ing（709-785）and Yang Ning-shih（873-957）, his calligraphy not inferior to that of Li Yung（678-747）. The structure of Su's characters, in general , can be called introverted and poised, neither vulgar nor without rules. Huang T'ing-chien（1045-1105）called Su the premier calligrapher of the Sung. The poem in small running script here was done to the tune of the poem "chien-his erh-lung" by Ch'in Kuan（1049-1100; sobriquet T'ai-hsü）. Traditional critiques of Su Shih's calligraphy indicated that he often used a flat brush, producing characters somewhat abbreviated and thin. But Su himself once wrote that "Being plump and elegant as well as thin and tough both have their advantages."The characters here are even and introverted and do not appear abbreviated or inharmonious; marking this an excellent work. 内容简介（英文）： Su Shi (sobriquet Dongpo jushi) of Meishan, Sichuan, was a master of poetry, painting, and calligraphy. In the latter he studied Wang Xizhi’s “Orchid Pavilion Preface” as a youth, his elegant style similar to Xu Hao’s. In middle years Su studied Yan Zhenqing and Li Yong’s calligraphy. In an overview of Su’s style, his characters are steady and prepared, while also overflowing in form, which is why Huang Tingjian praised him as the best in the Song. This poem is by Su from circa 1079 upon meeting Qin Guan (Taixu, 1049-1100) on his way from Xuzhou to serve as Prefect of Huzhou. The contents are exaggerated and bantering, but the characters smooth and steady. Likewise, the brushwork is fluid, making this an early masterpiece by Su.(20100406)