书体:

行楷书

色彩:

装裱形式:

册(蝴蝶装‧方幅式)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

馀酷嗜苦笋。谏者至十人。戏作苦笋赋。其词曰。僰道苦笋。冠冕两川。甘脆惬当。小苦而及成味。温润稹密。多啗而不疾人。盖苦而有昧。如忠谏之可活国。多而不害。如举士而皆得贤。是其锺江山之秀气。故能深雨露而避风烟。食肴以之开道。酒客为之流涎。彼桂玫之与梦汞。又安得与之同年。蜀人曰。苦笋不可食。食之动痼疾。使人萎而瘠。予亦未尝与之下。盖上士不谈而喻。中士进则若信退则眩焉。下士信耳。而不信目。其顽不可镌。李太白曰。但得醉中趣。勿为醒者传。

印记资料:

收传印记：吴新宇珍藏印
收传印记：子孙宝之
收传印记：吴桢
收传印记：周生
收传印记：心赏
收传印记：以御鑑定珍藏
收传印记：仪周珍藏
收传印记：陈定
收传印记：陈定书印
收传印记：（一印不辨）

题跋资料:

题跋类别：题签；    宋黄山谷苦笋帖

主题:

技法:

参考资料:

收藏着录： 石渠宝笈续编（养心殿），第二册，页1097 收藏着录： 故宫书画录（第三卷），第一册，页141 收藏着录： 故宫历代法书全集，第十一册，页4-37、186-193 内容简介（中文）： 黄庭坚（西元1045－1105年），字鲁直，号山谷道人、涪翁。江西分宁（今修水）人。为北宋著名诗人，开创江西诗派，着有《山谷集》行世；又以精于书法着称，善行、草书，楷法亦自成一家。据称其书初学周越，后转学王献之、张旭、怀素、颜真卿等人。纵横奇倔，波澜老成是黄氏书法特征，与传统规范大相径庭。 宋徽宗曾说：「黄书如抱道足学之士，坐高车驷马之上，横钳上下，无不自如。」山谷书法对当时及后世影响很大，受到极高的评价，为北宋四大家之一。此帖笔势遒劲，中宫敛结，长笔外拓，英俊洒脱，显示出山谷纵逸豪放的雅韵，并充分发挥倾侧的动向美感。选自「宋四家墨宝」册。 内容简介（中文）： 黄庭坚（西元一O四五－一一O五年），字鲁直，号山谷道人、晚号涪翁。江西修水人。为北宋著名诗人，开创江西诗派，着有《山谷集》行世。书法着称，善行、草书，楷法亦自成一家。据称其书初学周越，后转学王献之、张旭、怀素、颜真卿等人。纵横奇倔，波澜老成是黄氏书法特征，与传统规范大相径庭。此帖笔势遒劲，中宫敛结，长笔外拓，英俊洒脱，显示纵逸豪放的雅韵，并充分发挥倾侧的动态美感。(20100406) 内容简介（英文）： Huang Tingjian (style name Luzhi; sobriquet Shangu daoren) was a native of Xiushui, Jiangxi. A famous Northern Song poet, he founded the Jiangxi school, his Collection of Shangu still surviving. Also famed for his calligraphy, he excelled at running and cursive scripts, his regular script in a style of its own. It is said he first studied Zhou Yue’s style and later turned to those of Wang Xianzhi, Zhang Xu, Huaisu, and Yan Zhenqing. Expansive and eccentric, Huang’s calligraphy is noted for wave-like features widely diverging from tradition. Here the brushwork is vigorous, the forms compact but with longer strokes extended for a dashing freedom, revealing a leisurely and unbridled refinement while fully expressing a dynamic aesthetic to the slanting quality.(20100406) 内容简介（英文）： Huang T'ing-chien, a native of Kiangsi province, excelled at running and cursive script. His horizontally elongated characters and slightly wavering strokes have a centered and powerful quality to them. His direct and handsome style has an overall harmony and expressive quality that reveals the beauty of angled brushwork. Although his style appears somewhat awkward, it actually reflects his mature and individual manner, which is quite different from tradition formulae. In this peece, the brushwork is powerfully elongated and expressive. These features reflect the elegant harmony of his untrammeled and heroic manner. This leaf is from the album Calligraphy Treasures of Four Sung Masters.