书体:

行书

色彩:

装裱形式:

册(蝴蝶装)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

京顿首再拜。晚刻伏惟钧候。动止万福。久违土廧宇。伏深倾驰。台光在望。造请未遑。跂引之情，不胜胷臆。谨启诇候动静不宣。京顿首再拜。宫使观文台坐。

印记资料:

收传印记：神
收传印记：品
收传印记：天籁阁
收传印记：子孙永保
收传印记：项子京家珍藏
收传印记：项墨林鑑赏章
收传印记：檇李项氏士家宝玩
收传印记：项元汴印 （重一。其一为半印）
收传印记：平生真赏
收传印记：项墨林父秘笈之印
收传印记：虚朗斋
收传印记：子孙世昌 （重一。其一为半印）
收传印记：大观
收传印记：吴廷
收传印记：忠孝世家
收传印记：爽轩珍玩
收传印记：（二印不识）
收传印记：（一半印不识）

题跋资料:

题跋类别：题签；    蔡元长书。

主题:

技法:

参考资料:

收藏着录： 石渠宝笈初编（养心殿），上册，页461-464 收藏着录： 故宫书画录（卷三），第一册，页160-164 收藏着录： 故宫历代法书全集，第十一册，页118-157、202-208 收藏着录： 蔡京（西元1047-1126年），福建仙游人，熙宁三年（1070）进士，历神宗、哲宗、徽宗、钦宗四朝。徽宗时拜尚书左丞、右仆射，权势甚隆，倾辄旧党。钦宗立，贬官衡州，行至潭州死，年八十。 蔡京书法初学蔡襄，后来受徐浩、欧阳询影响，字势豪健，痛快沉着，其后又师法二王，自成一家。明代评论家认为「苏、黄、米、蔡」四家中的「蔡」，是指蔡京，后世恶其为人，乃改为蔡襄。本幅选自「宋诸名家墨宝」册。 收藏着录： Ts'ai Ching was a native of Hsien-yu, Fukien, In 1070, he received his chin-shih civil service degree and servedin the reigns of four emperors-Shen-tsung, Che-tsung, Hui-tsung, and Ch'in-tsung. In that of Emperor Hui-tsung(r.1101-1125), he served as Minister of the Left and Director of the Right, using his power to attack his opponents. However, when Ch'in-tsung assumed the throne in 1126, he lost favor and was banished to Heng-chou, He died along the way in T'an-chou at the age of 79. Ts'ai Ching began his study of calligraphy following Ts'ai Hsiang(1012-1067), but was later influenced by the styles of Hsü Hao(703-782) and Ou-yang Hsün(557-641). His calligraphy is powerful and firm, full of energy and penetrating. Later, he studied the styles of the Two Wangs(Wang Hsi-chih 【ca.307-ca.365】 and Wang Hsien-chih【344-386】) and formed his own. Critics of the Ming dynasty (1368-1644) considered the "Ts'ai" referred to in the Four Sung Masters as originally having been Ts'ai Ching. However, his condemnation by historians led later generations to change the figure to another calligrapher of the same surname—Ts'ai Hsiang. This letter is from the album "Ink Treasures by Famous Sung Masters" 内容简介（中文）： 蔡京(1047-1126)北宋书法家。字元长，仙游(今属福建)人。官至司空，拜太师。工书，字势豪健，自成一格。《铁围山丛谈》论其书法：「始受笔法于君谟，既学徐季海(浩)，为几弃去，学沈传师。及元祐末，又厌传师而从欧阳率更(询)，由是字势豪健，痛快沈着。迨绍圣间，天下号能书，无出公之右者。其后又厌率更，乃深法二王(羲之、献之)，……遂自成一法，惟海内所宗焉。」清代周星莲《临池管见》称：宋四家苏、黄、米、蔡，蔡非蔡襄，而是蔡京。「后世恶其为人，乃斥去之，而进君谟(蔡襄)书」。传世墨迹有《节夫帖》、《官使帖》、《鹡鸰颂跋》等。