书体:

草书

色彩:

装裱形式:

册(蝴蝶装)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

成大顿首再拜先之司门朝奉贤表。雪后奇寒。缅惟履候公馀万福。别浸久。企仰日深。向辱寄书。具报草草。今兹复奉惠翰。知近问为慰。仆衰飒如昨。无足道。自昆仲出仕。隣里已往还稀疎。近又从善持节。愈无聚首一笑之适。殊觉离索也。前辱须委。甚欲为宛转法司。为闲冷之久。度不能响应。故久而未有寸効。然常常在怀也。受之未有归期。五哥且得安乐。不知已满未。或谓恐来杨家园宅居止。是否。手冻体倦。作牋草草未閒。愿言多爱。前顷知擢不宣。成大顿首再拜。先之司门朝奉贤表。

印记资料:

收传印记：项笃寿印
收传印记：云烟过眼
收传印记：项子长父鉴定
收传印记：蜨菴书画
收传印记：檇李李氏鹤梦轩珍藏记
收传印记：大观

题跋资料:

题跋类别：题签；    范至能书。范成大尺牍。

主题:

技法:

参考资料:

收藏着录： 石渠宝笈初编（养心殿），上册，页461-464 收藏着录： 故宫书画录（卷三），第一册，页160-164 收藏着录： 故宫历代法书全集，第十一册，页118-157、202-208 参考书目： 1.侯怡利，〈书尺牍〉，收入何传馨主编，《文艺绍兴：南宋艺术与文化‧书画卷》（台北：国立故宫博物院，2010年十月初版一刷），页379。 内容简介（中文）： 范成大(1126-1193) 南宋诗人、书法家。自致能，号石湖居士，吴郡(治今江苏苏州)人。晚居故乡石湖。绍兴进士，历任处州知府，知静江府兼广南西道安抚使，四川制置使，官至参知政事。卒諡文穆，追封崇国公。素有文名。书宗黄庭坚、米芾，逎劲爽利。明代王世贞评其「书法出入眉山、豫章间，有米颠笔，圆熟逎丽，生意郁然」。诗多描写农村风光和民生疾苦。着有《石湖居士诗集》、《石湖词》、《桂海虞衡志》、《吴船录》等。 内容简介（中文）： 范成大，字至能，自号「石湖居士」，吴县（今苏州）人。文学成就杰出，为南宋诗人代表，尤以「田园诗」着称。 书法上，范成大为「南宋四家」之一，除承继外曾祖蔡襄之家学，也受北宋与晋唐五代诸家影响，「笔劲体遒」且自成一格。此帖是绍熙二年（1191）范成大归居石湖时，写予仕宦外地的表亲，小字草书运笔流畅生动，笔画圆转，率意中又保持含蓄，字画间轻重迟速多翻转变化，为其晚年之作。(20101015) 内容简介（中文）： 范成大（西元1126-1193年），字致能，号石湖居士，吴县人。绍兴二十四年（1154）进士，历官礼部员外郎、资政殿大学士、参知政事。他是南宋杰出的诗人，书法也颇有成就。 这是一封回复友人的信札，报告自己及亲人的近况，并提到还未能完成请讬之事。运笔有流畅生动的特色，笔画圆转向左出锋或牵丝都在率意中又保持含蓄。本幅选自「宋诸名家墨宝」册。 内容简介（英文）： Fan Ch'eng-ta, a native of Wu-hsien(Soochow), received his chin-shih civil service degree in 1154 and served in several positions at court. He was famous for his literary arts and excelled at poetry. In running script, he followed the styles of Huang T'ing-chien and Mi Fu, but was more unrestrained. The recipient of this letter was a friend of Fan Ch'eng-ta. Fan wrote about himself and his family of late. He also mentioned that he had not yet been able to finish the task asked of him. The brushwork is marked by an animated and flowing quality. The round brushwork sometimes reveals strand-like traces of the brush tip, suggesting a sense of ease within restraint. This is a leaf from "Album of Ink Treasures by Various Sung Masters." 内容简介（英文）： Fan Chengda (style name Zhineng, self-styled sobriquet Shihu jushi [Stone Lake Layman]) was a native of Wuxian (modern Suzhou). Outstanding in terms of literary achievement, he is a representative Southern Song poet especially renowned for his “pastoral poetry.”In terms of calligraphy, Fan Chengda was one of the “Four Southern Song Masters.” Besides following in the family style of his great-grandfather, the famous calligrapher Cai Xiang, Fan also came under the influence of masters from the Northern Song as well as Jin, Tang, and Five Dynasties periods in the past. With his “powerful brush and vigorous forms,” he formed a style of his own. This work done in 1191 comes from the period after his return to Stone Lake. Written to an official living elsewhere who was a maternal relative, the small-character cursive script here features fluid and lively applications of the brush. The rounded strokes turn about, a sense of introspection also preserved in the straightforward manner. Numerous changes to the lightness and speed of the strokes appear as they twist about in this work from Fan’s later years.(20101015)