书体:

行书

色彩:

装裱形式:

册(蝴蝶装)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

簇簇深红间浅红。苦才多思是春风。千村万落花相照。尽日经行锦绣中。 村落人间桃李枝。无言风味亦依依。可怜（以上第五幅）憔悴蓬篙底。蜂蝶不知春又归。 十日狂风桃李休。常因酒尽觉春愁。泰山为麴酿沧海。料得人间无白头。绍彭。

印记资料:

收传印记：孙承泽印（重一）
收传印记：安氏仪周书画之章（重一）
收传印记：德寿堂书籍印
收传印记：珍绘堂记
收传印记：张铁

题跋资料:

题跋类别：题签；   ；书体：楷书；全文：薛道祖

主题:

技法:

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2503-2509 收藏着录： 故宫书画录（卷三），第一册，页164-171 内容简介（中文）： 薛绍彭（活动于11世纪），生卒年不详。字道祖，晚号翠微居士。陕西长安人。家藏晋唐法书甚丰，擅长行、草、真书，在北宋元符年间与米芾齐名。此幅结体精美，法度严谨而又洒脱流宕，字字宛转遒逸，风流蕴借。仍见浑厚之晋唐传统神韵，深得二王遗笔意者，又兼得米芾笔意，用锋多侧势，行笔中却见筋含骨，颇具力度。选自「宋贤书翰」册。 内容简介（英文）： Hsüeh Shao-p'eng, a native of Shensi, came from a family with a large collection of calligraphy from the Chin and T'ang. He specialized in running, cursive, and regular script. In the 11th century, he was as famous as Mi Fu in calligraphy.The structure in this work is exquisite and the arrangement still quite regular, but it also has a spirited and easy manner. Each character turns freely. The tradition spirit harmony of Chin and T'ang calligraphy is still clearly evident, and traces of the style of the Two Wangs are also seen in addition to that of Mi Fu. The tip of the brush was held at angles with considerable force. Thus, the "tendons" with "bones"（structure）is revealed. This is from the album Calligraphy by the Sung Sages.