书体:

草书

色彩:

装裱形式:

册(蝴蝶装)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

仙药（二字不全）。上下均休。行之辱书勤甚。偶冗未及报。须向日千文。为好事者持去。久久相见。当为书也。十哥。十一哥。为学必长茂有可观者。六嫂一房。闻移出何宅是否。知向来新盖厅事极雄丽。旦夕归愿假馆三数日。如何。旡咎再拜。

印记资料:

收传印记：休伯
收传印记：臣继儒
收传印记：仲醇
收传印记：安仪周家珍藏
收传印记：张镠
收传印记：木庵居士
收传印记：心赏
收传印记：水邨□（半印）
收传印记：（一半印不辨）

题跋资料:

题跋类别：题签；   ；书体：楷书；全文：宋杨补之书

主题:

技法:

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2503-2509 收藏着录： 故宫书画录（卷三），第一册，页164-171 收藏着录： 宋代花笺特展，页134-137、225-226 参考书目： 1.侯怡利，〈尺牍〉，收入何传馨主编，《文艺绍兴：南宋艺术与文化‧书画卷》（台北：国立故宫博物院，2010年十月初版一刷），页391。 内容简介（中文）： 扬无咎（1127-1206），字补之，号逃禅老人，江西省人。据《皇宋书录》，扬无咎「学率更（欧阳询）小变其体，江西碑碣多其所书，善画梅，人并蓄其书画以为珍玩」，为南宋著名书画家。 本件写于印有折枝花卉之花笺。文中允诺，日后会为友人写千字文，可见扬无咎书法为时人所喜。扬氏曾云「馀于率更为入室上足」，观此书札，结字紧峭，笔法遒劲，乃源自欧阳询。笔画使转变化，线条丰厚流畅，则承继米芾书风。(20101015) 内容简介（英文）： Yang Wujiu (style name Buzhi, sobriquet Taochan laoren) was a native of Jiangxi. According to Imperial Song Record of Calligraphy, Yang Wujiu “studied the style of Shuaigeng (Ouyang Xun) to change his manner and copied many steles of Jiangxi. People saved his painting and calligraphy, treating them as treasures.” Yang was thus renowned in the Southern Song as both a painter and calligrapher.This work was written on a piece of ornamental paper impressed with floral designs. The contents mention Yang’s promise to a friend to transcribe the “Thousand Character Essay,” indicating how much his calligraphy was appreciated by contemporaries. Yang also once wrote, “I take Shuaigeng as my foundation for entry [into calligraphy].” In this letter, the character forms are tight and precipitous, the brushwork likewise strong and vigorous, revealing their roots in the Ouyang Xun manner. The strokes show many changes, the lines rich and thick yet flowing with ease, also following in the flair of Mi Fu.(20101015)