书体:

行书

色彩:

装裱形式:

册(折装)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

说顿首上启。区区叙慰。已具右疏。即日凝凛。不审孝履何似。末由一造庐次。惟冀节抑哀苦。以承家世寄讬之重。不胜至望。谨奉启不宣。说顿首上启。大孝宣教苫次。

印记资料:

题跋资料:

题跋类别：题签；    宋吴傅朋说书

主题:

技法:

参考资料:

收藏着录： 石渠宝笈续编（干清宫），第一册，页445 收藏着录： 故宫书画录（第三卷），第一册，页180 内容简介（中文）： 吴说，杭州钱塘人，字傅朋，号练塘。活动于宋高宗〈西元1127-1163〉时代。承其家学渊源，父亲吴师礼也以此道名闻遐迩，在宋代书家纷纷求异趋奇之风潮中，吴说卓然以二王书风为宗师，平澹自如、不趋险绝，被许为宋代传统书法的守护神。本幅致大孝宣教尺牍，结构谨严，神韵雅秀。用笔或重或轻，字体或小或大，颇能发挥抑扬顿挫及牵丝带络之笔趣，世吴说晚期之佳作。本幅为「宋人法书」第三册第七开。 内容简介（英文）： Wu Yüeh（style name Ch'uan-fu; sobriquet Lien-t'ang）was a native of Ch'ien-t'ang, Hangchow and active during the reign of the Southern Sung emperor Kao-tsung（r.1127-1162）. Wu Yüeh inherited his family tradition of scholarship; his father, Wu Shih-li, had achieved a reputation far and wide as a scholar. In the upheaval of Sung dynasty calligraphy, calligraphers of all sorts sought out different and unusual styles. Wu Yüeh, however, took the majestic calligraphic styles of the Two Wangs（Wang His-chih【321-379】and his son Wang Hsien-chih【344-388】）as his teachers to create his style which was plain and unrestrained without being too daring. Thus, Wu Yüeh was quite a conservative in traditional calligraphy during the Sung dynasty.This work is a piece of correspondence with a court instructor. The forms of the characters are respectful and serious yet have spirit harmony and elegant beauty. The brushwork is both heavy and light in places and the size of the characters range between large and small ones. They quite fully manifest the drifting and pauses of brushwork that appear like a "drawn out thread" and an "unreeled strand of silk." Thus, this is an excellent late work by Wu Yüeh.