书体:

行书

色彩:

装裱形式:

册(蝴蝶装)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

敦儒再拜。别后尘劳。都不果寓书。亦寂不蒙寄声。弟勤尚想。比日想诸况安适。向者李西台书。久尘文府。乞付示。久不见此书。日夜梦想。告密封付此兵回也。必不以煎迫为罪。媿悚媿悚。偶作书。多不能覼缕。何日得相从于黄岗怀玉间。临书神驰。敦儒再拜。

印记资料:

题跋资料:

题跋类别：题签；   ；书体：楷书；全文：宋朱敦儒书。

主题:

技法:

参考资料:

收藏着录： 石渠宝笈续编（干清宫），第一册，页445 收藏着录： 故宫书画录（第三卷），第一册，页180 参考书目： 1.朱惠良，〈朱敦儒尺牍〉，收入国立故宫博物院编，《宋代书画册页名品特展》（台北：国立故宫博物院，1995年初版一刷），页243-244。2.朱惠良，〈「七十件书画册页名品特展」精选(一) — 朱敦儒尺牍〉，《故宫文物月刊》，第146期（1995年5月），页60。3.侯怡利，〈书尺牍〉，收入何传馨主编，《文艺绍兴：南宋艺术与文化‧书画卷》（台北：国立故宫博物院，2010年十月初版一刷），页376-377。 内容简介（中文）： 朱敦儒〈西元1081-1159年〉，字希真，号巖壑。洛阳人，时称洛川先生。志行高洁，屡辞荐辟。绍兴初，以深达治体，有经世之才，召为迪功郎，奏对称旨，赐进士出身。工诗及乐府，善书，其书横斜颠倒，几凌杨少师。 此通尺牍因首句为「别后尘劳，都不果寓书」，故亦称「尘劳帖」。通幅以行体书写，而纵横挥洒之气势大有草书意。 本幅选自「宋人法书册三」第十四幅。 内容简介（中文）： 朱敦儒（1081-1159），字希真，号巖壑，洛阳人，时称洛川先生。工诗词乐府，风格婉丽清畅。书法闻名于南宋，朱熹称其小楷书「精妙醇古」，「追迹元常」。赵孟坚则云「书法横斜颠倒，几若杨少师」。此行草书信札，约写于绍兴八、九年间，对友人所收李西台书蹟「日夜梦想」，故欲借观，足见对李建中古典书风之向往。在结字上横扁取法锺繇，笔法纵意似杨凝式，姿态敧侧如苏、黄、米，是极具个人风格的书法作品。(20101015) 内容简介（英文）： Zhu Dunru (style name Xizhen, sobriquet Yanhe) was a native of Luoyang also known at the time as “Luochuan xiansheng.” Excelling at poetry and ballads, his style was beautifully pure and fluid. He also achieved fame in calligraphy during the Southern Song, with Zhu Xi later in the dynasty praising his small regular script as “exquisitely wonderful and archaicly mellow” as well as “pursuing Yuanchang (Zhong You).” Zhao Mengfu in the Yuan dynasty likewise wrote, “The calligraphy slants to the point of being upside-down, much like the manner of Yang Shaoshi (Ningshi).”This letter in semi-cursive script was written sometime in 1138 or 1139, expressing Zhu Dunru’s desire to borrow for viewing a work of calligraphy by Li Xitai (Jianzhong) entitled “Dream Visions Day and Night” from a friend’s collection. It therefore testifies to the influence of Li Jianzhong’s classical style of calligraphy at the time. In terms of character structure, the flat and horizontal forms derive from the manner of Zhong You, while the indulgent brush method is similar to that of Yang Ningshi. The slanting quality is likewise similar to those of Su Shi, Huang Tingjian, and Mi Fu, making this a work by Zhu in a highly personal style.(20101015) 内容简介（英文）： Chu Tun-ju (style name His-chen; sobriquet Yen-ho ) was a native of Lo-yang who was also known at the time as Lo-ch'uan hsien-sheng. Of noble and refined character, he often refused recommendation for advance in the government. Early in the Shao-hsing era (1131-1162), he achieved a reputation for expertise in politics and upright administration. Since he was adept at writing memorials, he was appointed to Gentleman for Meritorious Achievement. He was capable at poetry and ballads while excelling at calligraphy. Chu's style involved slanted characters somewhat like that of Yang Ning-shih (873-957). The name of this letter by Chu Tun-ju, "Ch'en-lao", is derived from same two character which appear in the first line of text. The letter was done in running script, yet the fluid force of the horizontal and vertical strokes all have the force and quality of cursive script. This is the fourteenth leaf in the album Sung-jen fa-shu III.