书体:

草书

色彩:

装裱形式:

册(蝴蝶装)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

孝祥再拜上问。台眷上下。均有休祥。此閒岂无委也。舍弟在彼。曾侍见否。方丈出畺。畴昔未尝远役。不劳苦否。度此书到。必已来归。专人了无一物为意。偶得汝秘椀堞一副。窣櫑木弩檐（极佳）十条。谩致。欲寻香去。乃绝无之。盖广东有香。而广西盖不产也。孝祥再拜上问。

印记资料:

收传印记：张笃行印
收传印记：珍绘堂记
收传印记：友古轩珍赏
收传印记：东平

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈初编（重华宫），下册，页710 收藏着录： 故宫书画录（卷三），第一册，页221 参考书目： 1.侯怡利，〈书尺牍〉，收入何传馨主编，《文艺绍兴：南宋艺术与文化‧书画卷》（台北：国立故宫博物院，2010年十月初版一刷），页378-379。 内容简介（中文）： 张孝祥（1132-1169），字安国，号于湖，今安徽省和县人。高宗称其「词翰俱美」，尤以词最为著名，是南宋豪放词派的前驱者。更是南宋初期著名书家，得颜真卿之遒劲，及米芾的纵逸，与范成大（石湖）并称「二湖」。此帖于干道元年七月到二年七月间（1165-66）写予友人，时张孝祥在广西。在书法上，结字有特色，笔法多变，线条兼有沉厚与流动之美，节奏有轻重迟缓，可谓「朴藏厚重、骨格遒劲」，独具一格。(20101015) 内容简介（英文）： Zhang Xiaoxiang (style name Anguo, sobriquet Yuhu) was a native of what is now modern Hexian, Anhui. Emperor Gaozong praised him as “possessing [skill in] both beautiful poetry and calligraphy,” but he was most famous for the former, being a pioneer of the Haofang (“Bold and Unbridled”) school of poetry in the Southern Song. He was also a noted calligrapher of the early Southern Song, studying Yan Zhenqing’s forceful manner with the free and easy nature of Mi Fu’s style. Along with Fan Chengda (Shihu), they were known as the “Two Hu’s.”This letter was written to a friend in the year from the seventh month of 1165 to the seventh month of 1166. At that time Zhang Xiaoxiang was in Guangxi. In terms of calligraphy, the character forms are distinctive and the brush methods varied, the lines having the beauty of both steadiness and fluidity. There is a rhythm of weightiness and slowness to the characters, forming a style of his own with “solidity concealed in simplicity and vigor checked by structure.”(20101015)