书体:

草书

色彩:

装裱形式:

册(折装)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第六册，页2621 收藏着录： 故宫书画录（卷三），第一册，页343-344 参考书目： 1.何传馨，〈明文彭草书诗〉，收入何传馨编，《书法之美特展图录》（台北：国立故宫博物院，1992年五月初版一刷），页92。 内容简介（中文）： 文彭（西元一四九八－一五七三年），长洲（今江苏苏州）人。字寿承，号三桥。征明长子，少承家学，篆、分、真、行、草并佳，体体有法，并自成家。初学锺、王，后效怀素，晚年则学孙过庭，而尤精篆、隶。此幅草书七言律诗一首，笔法流动，恍若行云流水，一气呵成。然笔墨腴润，似出自软毫之笔。其萧散疏朗的书风，与祝允明之雄强劲健大异其趣。本幅选自「元明书翰」。(20100102) 内容简介（英文）： Wen Peng was a native of Changzhou (modern Suzhou, Kiangsu). The eldest son of Wen Zhengming, he followed the family tradition, excelling at all calligraphic scripts and forming his own style (though his skill did not quite equal his father’s). At first he studied the styles of Zhong You and Wang Xizhi, later incorporating Huaisu’s elements, and finally later learning from Sun Guoting’s style to master seal and clerical scripts. This leaf from “Yuan and Ming Calligraphy” is a 7-character regulated verse in cursive script. The brushwork flows like clouds and water, as if done in a single breath. Brushwork appears weak in places, probably because a soft brush was used. This elegant, leisurely style differs from the more formal, powerful one of Zhu Yunming.(20100102)