书体:

草书

色彩:

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

风雨萧萧。墙头蟋蜶簷头马。可怜秋也一束芙容把。小立栏干。醉以黄衫卸。还聊且花捎帘帖。帘动鹦哥打。陈继儒。

印记资料:

收传印记：麋公
收传印记：和鸣韶钧

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈初编（重华宫），下册，页717-719 收藏着录： 故宫书画录（卷三），第一册，页411-413 收藏着录： 故宫历代法书全集，第二十八册，页76-117、170-177 内容简介（中文）： 陈继儒（西元一五五八－一六三九年），江苏华亭人，字仲醇，一字眉公，号糜公。天赋多智，少有高才，诗文书画皆所善长，与同郡董其昌齐名。画擅水墨梅、竹，山水亦气韵空远。董其昌尝评之：「虽草草泼墨，而一种苍老之气，岂落吴下画师恬俗魔境。」眉公亦自言：「若着色相尚，便与富翁俗僧无异。」 内容简介（英文）： Ch’en Chi-ju (style names Chung-ch’un and Mei-kung; sobriquet Mo-kung) was a native of Hua-t’ing, Kiangsu. A gifted scholar of many talents, Ch’en excelled at poetry, writing, calligraphy, and painting, becoming as famous as his contemporary Tung Ch’i-ch’ang. Ch’en specialized in painting plum blossoms and bamboo in monochrome ink. His landscapes also were expansive in feeling. Tung Ch’i-ch’ang once commented that “although he [Ch’en] seemingly splashed ink to impart hoary and archaic energy [to his paintings], how can he be considered inferior to Wu [School] painters and in the realm of empty commonality?” Ch’en Chi-ju himself also once wrote, “If I likewise were to apply colors [to my paintings], they would be no different from those of rich men and common monks [i.e., everybody else].” In this particular work, the style of the calligraphy is very individualistic and in a manner all his own.