书体:

草书

色彩:

装裱形式:

卷

创作时间:

文字类型:

汉文

质地:

本幅纸隔水绫拖尾纸

释文:

足下行穰。九人还示应决不大都当佳。

印记资料:

鑑藏宝玺：石渠宝笈
鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宣统御览之宝
收传印记：政和
收传印记：双螭印
收传印记：宣
收传印记：和
收传印记：内殿珍玩
收传印记：图书（半印）
收传印记：安岐之印（安岐）
收传印记：朝鲜人（安岐）
收传印记：安仪周家珍藏（安岐）
收传印记：（一半印不识）

题跋资料:

题跋类别：题跋；作者： 隔水二 ；书体：楷书；全文：王右军行穰帖。

题跋类别：题跋；作者：董其昌隔水三 ；书体：楷书；全文：足下行穰。九人还示应决不大都当佳。其昌释文。

题跋类别：题跋；作者：董其昌拖尾万历甲辰冬十月廿三日。华亭董其昌跋于戏鸿堂。；书体：行书；全文：宣和时收右军真迹百四十有三。行穰帖其一也。以淳化官帖不能备载右军佳书。而王着不具玄览。仅凭倣书锓版。故多于真蹟中挂漏。如柏（应作桓）公帖米海岳次为王书第一。犹在官帖之外。馀可知已。然人间所藏不尽归御府。即归御府或时代有先后。有淳化时未出而宣和时始出者。亦不可尽以王着为口实也。此行穰帖在草书谱中诸刻未载。有宋徽宗庙金标正书。与西昇经圣教序一类。又有宣和政和小印。其为内殿私藏无疑。然观其行笔苍劲。兼籀篆之奇踪。唐以后虞褚诸名家视之远愧。真希代之宝也。何必宣和谱印。传流有据方为左券耶。万历甲辰冬十月廿三日。华亭董其昌跋于戏鸿堂。

主题:

技法:

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页1 内容简介（中文）： 〈晋王羲之行穰帖〉原蹟已失传，有一双钩廓填佳本藏于海外，上有董其昌跋语与北宋内府收藏印，故宫本为此双钩本之摹本。本卷有部分的印与跋被略去，题签与宣和诸印也被挪于同一排，位移状况与〈三希堂法帖〉中〈晋王羲之行穰帖〉类似。三本相较，可知法帖本也是以海外双钩本为底本，但因两件墨蹟上同时钤有乾隆皇帝的鑑藏印玺，因此三件作品之间可能存在某些关联。 内容简介（英文）： The original of this work was lost sometime in the past, but a fine tracing copy with outlines filled in ink had been made and is now in a foreign collection. On that copy is a colophon by the Ming dynasty artist-collector Tung Ch'i-ch'ang (1555-1636) as well as the impression of a Northern Sung (960-1127) inner court collection seal. The National Palace Museum version here is a copy made after this traced version. Some of the colophons and seal impressions on this handscroll have been omitted, while the title inscription and Hsüan-ho era seals of the Northern Sung have been moved into the same line. This situation is similar to that of the "Hsing-jang" modelbook in the "Calligraphic Modelbooks of the Three Rarities Hall" assembled in the Ch'ing dynasty. Comparison of the three works indicates that the "Three Rarities Hall" version was also based on the tracing copy now in a foreign collection. Moreover, since both works have the imperial seal of the Ch'ien-lung Emperor (r. 1736-1795) of the Ch'ing court (the foundation of the National Palace Museum collection), some relationship may exist between these three pieces of calligraphy.