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帝曰简才能。旌贤在股肱。文章体一变。礼乐道逾弘。芸阁英华入。宾门鹓鹭登。恩筵过所望。圣泽实超恒。夏叶开红药。馀花发紫藤。微臣亦何幸。叨此预文朋。萧嵩奉和圣制送张说上集贤学士赐宴。其昌书。印记资料:
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收藏着录: 石渠宝笈初编(御书房),下册,页1096 收藏着录: 故宫书画录(卷八),第四册,页9 内容简介(中文): 董其昌(西元一五五五?一六三六年)字玄宰,号思白,江苏华亭人。万历十七年(西元一五八九年)进士,官至礼部尚书,諡文敏。天才隽逸,善书画,富收藏,精鑑赏。行楷之妙,称绝一代。本幅抄录唐人萧嵩诗,讚颂张说(西元六六七?七三Ο年)及唐代集贤院文风。此轴楷书用笔浑厚,结字灵动,承继颜真卿(西元七Ο九?七八五年)楷书精神,但更讲究用笔变化以及疏朗行气,堪称是董其昌在颜体中追求虚和取韵的自我面貌。(20100711) 内容简介(英文): Dong Qichang (style name Xuanzai) was a native of Huating, Jiangsu. A Presented Scholar (jinshi) of 1589, he was Minister of Rites. Exceptionally talented in calligraphy and painting, he was a fine collector and connoisseur, too. His semi-regular script was marvelous, the best in his day. This work transcribes the poetry of Xiao Song and praises Zhang Yue (667-730) and the literary rise of the Jixian Academy in the Tang dynasty. The regular script brushwork here is natural and powerful with the characters dynamic, following the spirit of Yan Zhenqing’s (709-785) regular script. But even more attention is paid to variations in brushwork and looser line tension, so it can be called Dong Qichang’s own style in the pursuit of Yan’s spirit.(20100711)