书体:

行书

色彩:

装裱形式:

轴

创作时间:

清圣祖康熙十六年（1677）

文字类型:

汉文

质地:

本幅绫

释文:

无极而太极。太极动而生阳。动极而静。静而生阴。静极复动。一动一静互为其根。分阴分阳。两仪立焉。阳变阴合而生水。火。木。金。土。五气顺布。四时行焉。五行一阴阳也。阴阳一太极也。太极本无极也。五行之生也各一其性。无极之贞。二五之精。妙合而凝。干道成男。坤道成女。二气交感。化生万物。万物生生而变化无穷焉。惟人也得其秀而最灵。形既生矣。神发知矣。五性感动。而善恶分。万事出矣。圣人定之以中正仁义而主静。立人极焉。故圣人与天地合其德。日月合其明。四时合其序。鬼神合其吉凶。君子修之吉。小人悖之凶。故曰立天之道曰阴与阳。立地之道曰柔与刚。立人之道曰仁与义。又曰原始要终。故知死生之说。大哉易也。斯其至矣。周元公太极图说。康熙丁巳（西元一六七七年）六月下澣。日讲官起居注詹事府詹事兼翰林院侍读学士。臣沈荃恭录。

印记资料:

作者印记：承恩堂
作者印记：掌詹侍读学士
作者印记：臣荃私记
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈三编（御书房），第七册，页3156 内容简介（中文）： 沈荃（西元一六二四－一六八四年），江苏华亭（今上海市）人。字贞蕤，号绎堂，别号充斋。顺治进士，官至礼部侍郎，工诗善书，学行醇洁。沈荃书法初学董其昌，晚岁得力于米芾甚深。曾于圣祖朝奉召入宫，与皇帝谈论古今书法。此幅录写周敦颐〈太极图说〉，书风反映「康雍之世，专仿香光」的现象，行书笔意流畅与结字敧侧秀雅等特征皆源于董其昌。写于康熙十六年为沈氏五十四岁之作。 内容简介（英文）： Shen Ch’üan (native to Hua-t’ing, Kiangsu [modern Shanghai]) was a Presented Scholar (chin-shih) of the K’ang-hsi reign and served as Vice Minister of Rites. Good at poetry and calligraphy, his studies in running script are pure and elegant. In calligraphy, Shen first studied Tung Ch’i-ch’ang’s style, but in later years was strongly influenced by Mi Fu’s. Highly respected for his calligraphy, he was called to court, where he even discussed new and old styles with the emperor. This running script copy of a text by Chou Tun-i (Yüan-kung) reflects the style of imitation in K’ang-hsi and Yung-cheng era calligraphy. The brushwork is fluid as characters lean elegantly in Tung Ch’i-ch’ang’s manner. This was done in 1677 at Shen’s nominal age of 54.