书体:

行书

色彩:

装裱形式:

轴

创作时间:

文字类型:

汉文

质地:

本幅绢

释文:

无不可过去之事。有自然相知之人。张照谨书。

印记资料:

作者印记：张照之印
作者印记：瀛海僊班
鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈续编（御书房），第四册，页2188 收藏着录： 故宫书画录（卷八），第四册，页12 内容简介（中文）： 张照（一六九一？一七四五）江苏娄县人，号晴岚、得天居士，是康熙四十八年的进士，并在康熙五十四年入直南书房。张照历康雍干三朝，乾隆元年曾一度因苗疆事务而遭夺职下狱，数个月后获赦。张照书风近承董其昌，上溯米芾，乾隆帝曾讚誉张照更过董米，是「寓端庄于流丽者」。本作品原为对联，后经重装合为一轴，此书联文句原为养心殿随安室书联，是乾隆帝自作文句。(20100102) 内容简介（英文）： Zhang Zhao (sobriquets Qinglan, Detian jushi) was a native of Lüxian, Jiangsu. A Presented Scholar of 1709, 6 years later he served in the Southern Study of the Kangxi Emperor. In fact, Zhang served the Yongzheng, Kangxi, and Qianlong Emperors. In Qianlong’s first year (1736), he was imprisoned after failing to quell the Miao rebellion but released a few months later. Zhang’s calligraphy was similar to that of Dong Qichang and traces back to Mi Fu. The Qianlong Emperor actually praised Zhang’s calligraphy as superior to that of Dong or Mi for “flowing within solemnity.” This was originally a couplet but later remounted as a single work. The couplet had been composed by the Qianlong Emperor and transcribed for the Sui’an Studio of his Yangxin Palace.(20100102)