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日上东城瑞气盘。昭昭华盖九枝安。不关玉检来封禅。北拜丹书准筑坛。圣主自题宝露甕。诸君通赋梢云冠。新桐引处多鸣鸟。齐向朝阳立马看。朝趋西华门。见五色云郁成宫阙似厚翁胡老公祖教正。道周具草。印记资料:
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收藏着录: 石渠宝笈初编(御书房),上册,页487 收藏着录: 故宫书画录(卷八),第四册,页28 内容简介(中文): 黄道周(西元一五八五-一六四六年),福建漳州人。字幼玄、螭若,号石斋。天启二年(一六二二)进士,选庶吉士,授编修,历官礼部尚书。学贯古今,尤以文章风节高天下。书画奇古,真、草、隶自成一家。此帧为「明人便面书扇册」第十九幅,行楷书七言律诗一首。本幅笔法由锺繇变化而来,但略带隶意,方劲峭厉,别具一格。 内容简介(英文): Huang Tao-chou (style names Yu-hsuan and Ch’ih-juo, sobriquet Shih-chai) was a native of Chang-chou, Fukien. He received his chin-shih civil service degree in 1622 and was chosen as a Hanlin Bachelor. After serving as Compiler, he went on to become Minister of Rites. Studying the styles of recent and ancient masters, his achievement in writing was particularly renowned. His painting and calligraphy was known for their archaic qualities, anad his regular, cursive, and clerical scripts were all distinctive. This is the nineteenth leaf from “Album of Fans by Ming Calligraphers” and is composed of a poem in seven characters done in semi-regular script. The style of the calligraphy is derived from the tradition of Chung Yu (151-230), to which has been added elements of clerical script. The rectilinear qualities impart a sense of sharpness, making for a unique style.