书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：干清宫鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

主题:

主要主题：山水春景 主要主题：人物高士（士人、隐士） 主要主题：人物官员（臣） ；其他主题：山水江河、湖海 ；其他主题：走兽马 ；其他主题：翎毛麻雀 ；其他主题：器用饮食器壶；其他主题：器用耕织渔猎打猎；其他主题：器用乐器琴；笛；其他主题：树木榉 

技法:

皴法披麻皴人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 石渠宝笈续编（干清宫），第一册，页287 收藏着录： 故宫书画录（卷五），第三册，页13 收藏着录： 故宫书画图录，第一册，页41-42 内容简介（中文）： 游骑七人，画幅中间一人上身呈正面，穿着与其他六人不同，应是画中的主人。前二人引导，后四人有的拿弓，有的拿毬棍，有的挟着琴，有的背酒，前顾后盼，各有神态。树叶双钩填彩，岩石、流水和激湍都是仿古的钩勒法，有装饰的意味。背景树石的构图和院藏另一件传为韩干「猿马图」相似，不过笔墨稍逊，可能出自同一幅稿本。这幅画没有作者的款印，旧传为唐人。从画法看，时代较晚，画中主人正面像类似明代中期画皇帝像风格，可能出自明代宫廷画家之手。 内容简介（中文）： 游骑七人，画幅中间一人上身呈正面，穿着与其他六人不同，应是画中的主人。前二人引导，后四人有的拿弓，有的拿毬棍，有的挟着琴，有的揹酒，前顾后盼，各有神态。背景树石的构图和院藏另一件传为韩干〈猿马图〉相似，可能出自同一幅稿本。这幅画没有作者的款印，旧传为唐人。从画法看，画中主人正面像类似明代中期画皇帝像风格，可能出自明代宫廷画家之手。(20100710) 内容简介（英文）： In this work are 7 riders on a horseback outing. The figure in the middle appears frontal and wears clothing different from the others, suggesting he may be the host of the trip. Two figures are in the lead, and others behind carry such items as a sword, polo club, lute, and wine. The composition of trees and forms in the background is similar to another work in the Museum collection, “Gibbons and Horses” attributed to Han Gan (fl. 8th c.), and may have come from the same original. This work has no seal or signature of the artist and has an old attribution to a Tang artist. The method of frontal rendering for the host in the center is similar to imperial portrayals in the middle Ming (1368-1644), suggesting it may have been done by a Ming court artist.(20100710) 内容简介（英文）： In this painting, seven riders are seen on an outing. The figure in the center is rendered frontally and wears clothing different from the other six, indicating that he may be the host. Two figures are in the lead and the others are behind carrying such items as a sword, polo club, lute, and wine. The tree leaves were done in outlines filled with colors, while the earthen forms and water were all done in imitation of an ancient method of outlining and washes of color to give the painting a decorative effect. The trees and forms in the background are similar to those in a painting attributed to Han Kan (fl. 8th c.) entitled "Gibbons and Horses" in the Museum collection, but slightly weaker in terms of brush and ink. It thus may have been done after the same original.This painting bears neither signature nor seal of the artist and was attributed in the past to an anonymous artist of the T'ang. Judging from the style, the painting appears to date to a later period. The host figure appears similar in manner to imperial portraits from the middle Ming dynasty (1368-1644), indicating that it may have come from the hand of a Ming court painter.