书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

收传印记：袁忠彻印
收传印记：尚宝少卿袁氏忠彻印
收传印记：南昌袁氏家藏珍玩子孙永保
收传印记：长水
收传印记：天籁阁（半印）
收传印记：有明文靖世家图书
收传印记：李王孙印
收传印记：水东金李穉仙父桐孙堂家藏书画之印
收传印记：檇李李氏鹤梦轩珍藏记
收传印记：苍巖
收传印记：棠村审定
收传印记：阿尔喜普之印
收传印记：东平
收传印记：櫰庭清玩
收传印记：也园索氏收藏书画

题跋资料:

主题:

主要主题：山水秋景 ；其他主题：树木  ；其他主题：船篷舟 ；其他主题：山水江河、湖海 ；其他主题：人物高士（士人、隐士） ；其他主题：人物渔夫、船夫船夫；其他主题：树木杨柳 

技法:

人物衣纹描法(减笔) 

参考资料:

收藏着录： 故宫书画录（卷五），第三册，页105 收藏着录： 故宫书画图录，第二册，页205-206 内容简介（中文）： 夏圭（西元十二至十三世纪），字禹玉，浙江钱塘人。宋宁宗时、画院待诏，并获皇帝赐金带的殊荣。画山水人物，酝酿墨色、笔法苍老，给人一种墨汁淋漓的感觉。山水画法与马远略同，喜欢画一角半边的构图，当时人合称之马夏。 画垂柳两株，树下有巨石，草石之间有小径，旁有栈桥。溪中小舟一人独坐，出入于浅渚蒲芦之间。背山全用螺青渍染。山巅以小树点缀。可称为布局清奇，用笔秀挺。 内容简介（英文）： Hsia Kuei, whose style name was Yu-yü was a native of Ch’ien-t’ang, Chekiang. He served in the Painting Academy under Ning Tsung (r. 1195-1224) as Painter-in-Attendance. He also received from the emperor the Golden Girdle award. In his painting of figures and landscapes, the gradations of ink tone and hoary brush strokes give one an impression of great moistness.Two weeping willows and a large rock provide the focus of the painting. A small path cuts through grasses and rocks to a pier. A solitary figure in a small boat floats amidst sand bars and reeds. In the background, a broad sweep of ink and colored wash forms a screen of mountain upon which small trees are dotted. The scene has a pure and dramatic feeling, which is accentuated by the strong brushwork.