书体:

色彩:

水墨

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢诗塘纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺
收传印记：仲和珍藏
收传印记：王氏镛
收传印记：式古堂书画印
收传印记：卞令之鑑定

题跋资料:

题跋类别：题跋；作者：王铎；题跋位置：本幅；款识：王铎鉴定 夏珪。王铎鉴定。印记：铎

题跋类别：题跋；作者：王铎诗塘王铎 老干不事纤细小巧。骨格坚凝韶秀。有大家气。即此一画。雪色蒙晦。石寒铁色。噫。阴晴不可知。有天道寓于中。谓画者果无意欤。夏圭钱塘人。宁宗时擅名。师范宽李唐。宗有其俪。凡以觕粝冒圭者非其真也。丙戌三月时居燕。为二弟仲和题。王铎。印记：铎

主题:

主要主题：山水冬景（雪景） ；其他主题：山水江河、湖海 ；其他主题：山水瀑布 ；其他主题：树木  ；其他主题：树木竹 ；其他主题：花草芦苇 ；其他主题：建筑台阁 ；其他主题：建筑茅草屋 ；其他主题：船渔船 ；其他主题：人物渔夫、船夫 ；其他主题：人物百姓 

技法:

皴法斧劈皴

参考资料:

收藏着录： 故宫书画录（卷五），第三册，页106 收藏着录： 故宫书画图录，第二册，页209-210 内容简介（中文）： 画山居悠然閒静之状，远山峦峰高耸，瀑泉直泻而下，轩舍散落，雅士、樵者步行其中。全幅笔墨浓淡有致，林木丘壑明暗对比清楚。 此幅未见画家落款签名，据旧传原籤题作夏珪。按夏珪，字禹玉，钱塘人。南宋宁宗、理宗时任职画院。擅画山水、人物，与马远齐名，时称「马夏」。然此图山林坡石之布局与笔墨技法，已现明代浙派作风。 内容简介（中文）： 画山居悠然閒静之状，远山峦峰高耸，瀑泉直泻而下，轩舍散落，雅士、樵者步行其中。全幅笔墨浓淡有致，林木丘壑明暗对比清楚。本幅未见画家落款签名，根据原籤，定名夏珪。然此帧山林坡石之布局与淋漓的笔墨，已展现明代浙派作风，当为后人伪讬之作。夏珪（活动于13世纪前半），字禹玉，钱塘人。南宋宁宗、理宗时任职画院。擅画山水、人物，与马远齐名，时称「马夏」。(20110913) 内容简介（英文）： In this work is a mountain dwelling in a serene foreground setting. The peaks in the distance stand upright with a waterfall to one side. Buildings appear scattered through the middle ground along with woodcutters as scholars make their way in the foreground. The work features extremes of light and dark ink with brushwork that creates for a strong yet clear contrast between the woods and hills. This work bears neither seal nor signature of the artist but was attributed in the title label to Xia Gui. The composition of mountain forests and slope rocks along with the wet and quick brushwork here already reveals the Zhe School style from the Ming dynasty, suggesting this is a spurious attribution by a later person.Xia Gui (style name Yuyu), a native of Qiantang, served the Painting Academy during the reigns of Emperors Ningzong and Lizong in the Southern Song. Specializing in landscapes and figures, his fame equaled that of Ma Yuan, and they were known as “Ma-Xia.”(20110913) 内容简介（英文）： In this work is a mountain dwelling in a serene foreground setting. The peaks in the distance stand out upright with a waterfall to one side. Buildings appear scattered through the middle ground along with woodcutters as scholars make their way in the foreground. The work features extremes of light and dark ink and brushwork to create for a strong yet clear contrast between the woods and hills.This work bears neither seal nor signature of the artist but was attributed to Hsia Kuei. Specializing in landscapes and figures, his fame equaled that of Ma Yüan, and they were known as “Ma-Hsia.”The composition and brushwork of this work reveals the Che School style of the Ming dynasty (1368-1644).