书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
收传印记：墨林祕玩
收传印记：苍巖

题跋资料:

题跋类别：作者款识；作者：赵大亨；题跋位置：本幅；款识：赵大亨楷书

主题:

主要主题：山水  主要主题：祥瑞 蓬莱仙会主要主题：佛道人物神、仙 ；其他主题：山水溪涧、湍泉 ；其他主题：山水江河、湖海 ；其他主题：佛道人物佛道侍者 ；其他主题：佛道人物道（道士、道姑）八仙；其他主题：树木  ；其他主题：树木松 ；其他主题：走兽骡．驴驴；其他主题：走兽鹿 ；其他主题：翎毛鹤 ；其他主题：建筑宫殿 ；其他主题：建筑亭 ；其他主题：建筑桥 

技法:

界画 工笔 人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 故宫书画录（卷五），第三册，页108 收藏着录： 故宫书画图录，第二册，页233-234 参考书目： 1.王耀庭，〈宋赵大亨蓬莱仙会〉，收入王耀庭、童文娥编，《长生的世界：道教绘画特展图录》（台北：国立故宫博物院，1996年初版），页80-81。 内容简介（中文）： 赵大亨（西元十二世纪），时人以其肥伟，号之为趟大汉，自耻其俗，因名大亨。为赵伯驹伯骕兄弟之皂隶，多获遗稿，且谙其法，遂亦善画。本幅写蓬莱仙会，群仙徒骑而至，用笔细腻，描拟尽态。洞府之中，云上作界画楼台，西王母在焉。方寸之中，直栏横槛，栋宇轩櫺，无不雕金镂翠，灿然俱备。石上有赵大亨三字款，疑系后加，依画风当为明代。元代以后，庆寿剧流行，以西王母有蟠桃之寿，众仙来祝，其中八仙尤不可缺，本幅即是。 内容简介（中文）： 道教神仙谱系多元复杂，每逢神仙诞辰，皆举行斋醮活动，遂形成特殊节庆。本幅写蓬莱仙会，群仙纷至，描拟尽态，栋宇轩櫺，无不雕金镂翠，方寸之中，灿然俱备。石上有「赵大亨」三字款，疑系后加，依画风当为明人托名之作。赵大亨，活动于西元十二世纪，为赵伯驹、伯骕兄弟之皂隶，因获遗稿，而谙其法，熟其笔意敷色，遂亦善画，仿几乱真，傅世之迹，多青绿山水神仙故实。(20120714) 内容简介（英文）： The gods and immortals in Taoism are quite diverse and complex. Fasting and ritual offerings were held on their birthdays, gradually becoming festivals. This work depicts a gathering of immortals at Penglai scattered in various activities. The buildings are glittering and marvelously carved, dazzling down to the smallest detail. On one rock is a signature for “Zhao Daheng,” apparently being a later addition. Judging from the style, it was done by a late Ming or early Qing artist with Zhao’s name added. Zhao was a servant of the brother-artists Zhao Boju and Bosu. Acquiring their drafts, Daheng learned their painting and became a gifted artist, too. His imitations could pass for theirs, with most of them blue-and-green landscapes related to immortals.(20120714) 内容简介（英文）： Chao Ta-heng was the servant of Chao Po-chü and Po-su, brothers in the imperial family known for painting. When the latter two died, their servant inherited their drafts and learned the art of painting. In this painting is depicted a meeting of immortals on their way to the P'eng-lai Isles--some walk while others ride. The brushwork is refined and extremely subtle, capturing all aspects of the immortals' activities and personalities. In this other-wordly realm is an exceptionally grand palatial residence, that of the Mother Goddess of the West, amongst the clouds. All manner of architectural detail has been depicted, including brackets, ramparts, porches and finials. Nothing is left out, for even the gilded sculptures and lacquered engraved-work are included. The artist's name appears on a rock, indicating it could be a later addition. In fact, the style appears to be Ming (1368-1644). After the Yüan (1279-1368), dramas celebrating longevity became popular, and depictions of festivals including the Mother Goddess of the West with the peaches of immortality appeared. Immortals are included to convey blessings, and, among them, the Eight Immortals are always found.