书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺
收传印记：商丘宋荦审定眞迹
收传印记：建业文房之宝
收传印记：（二印漫涣不可辨）

题跋资料:

题跋类别：题跋；作者：周伯温；题跋位置：本幅；款识：鄱杨周伯温题；书体：楷书；全文：黄芦淅淅雪漫漫。鴈叫荒洲暮影寒。罾舍老翁如猬缩。得鱼便觉酒肠宽。鄱阳周伯温题。印记：周氏伯温

题跋类别：题跋；作者：项圣谟；题跋位置：本幅；款识：无；；书体：行楷书；全文：古秀州项圣谟鉴定所藏。

主题:

主要主题：山水冬景（雪景）冬景；次要主题：人物渔夫、船夫渔人；其他主题：翎毛雁 ；其他主题：翎毛鸭．凫 ；其他主题：船篷舟 ；其他主题：器用耕织渔猎渔具；其他主题：花草芦苇 ；其他主题：山水江河、湖海 

技法:

写意 工笔 

参考资料:

收藏着录： 故宫书画录（卷五），第三册，页143-144 收藏着录： 故宫书画图录，第三册，页93-94 内容简介（中文）： 开阔无涯的江面，烟雾弥漫，寒气逼人。芦苇环绕汀渚，野雁几只点缀其间，另则凌空与游于江上者相呼应，为冷寂的江面凭添生意。江畔渔夫坐草篷中，双手交叉胸前，弯腰缩颈，不胜寒冷地望着水面，期待着有鱼上网，神态十分生动。本幅布局行笔简洁，意境古雅宁静，与院藏宋燕文贵「寒浦渔罾」同一构图，以本幅之笔墨较胜一筹，惟仍属元明之际所作。 内容简介（中文）： 此图描写雪景人物。渔夫坐于草篷之下，两手交叉胸前，弯腰缩颈，似不禁寒。两眼注视水面，期待架于岸边的网罟，有鱼上网。人物神态刻划生动逼。对岸河面开阔无涯，烟雾弥漫，寒气逼人。河畔枯芦蓑苇环绕，野雁几只点缀着汀渚，另有一群翔空而去，与游于河面者互相呼应，为冷寂的河面增添生意。整幅行笔简洁，而意境古雅宁静。作者运用敷粉法，将白粉置于坡石苇草上，烘托出冬日萧瑟的气氛。 内容简介（英文）： This painting is of a Snowscape with a figure. A fisherman is sitting below a thatched awning with his hands crossed in front of his chest, bending over at the waist, and hunching his shoulders as if to ward off the cold. His eyes are fixed on the surface of the water, and he waits by his net suspended from the shore hoping fish get trapped in the net. The pose of the figure is vivid, lively, and life-like.The opposite bank of the river extends infinitely into the distance. Mist and fog permeate the scene, and the cold atmosphere is compelling. By the shore are clumps of withered reeds and several wild geese dot the distant bank. Another flock of geese is flying in the skies, thus balancing the composition. They add liveliness to an otherwise cold and desolate riverbank. The brushwork in this painting is simple and pure, being filled with the idea of classic elegance and tranquility. The artist has applied the powder method, using white power on the slope and reeds to impart the atmosphere of a desolate winter day. 内容简介（英文）： A river bank extends deep into the distance as mist permeates the cold winter scene. The bank includes clumps of withered reeds with wild geese. The geese in flight approaching those on the bank add a touch of life to an otherwise desolate scene. A fisherman sits huddled below a thatched awning as he hunches over to ward off the cold. He stares out as he waits with his fishing net in the water.The simple composition and refined brushwork here have a serene elegance to them. The same composition appears in the Museum's Fishing inWinter by Yen Wen-kuei. The brushwork in this work, however, appears superior, but it still may have done as late as theYüan or Ming dynasty.