书体:

色彩:

设色,描金

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：秘殿珠林
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：秘殿新编
鑑藏宝玺：珠林重定
鑑藏宝玺：干清宫鑑藏宝
鑑藏宝玺：太上皇帝之宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

主题:

主要主题：佛道人物佛道侍者 主要主题：佛道人物神、仙麻姑；次要主题：果蔬桃子 ；其他主题：器用服饰（对人） 

技法:

工笔 人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 秘殿珠林续编（干清宫），页247 收藏着录： 故宫书画录（卷五），第三册，页258 收藏着录： 故宫书画图录，第五册，页185-186 参考书目： 1.王耀庭，〈元人献寿图〉，收入王耀庭、童文娥编，《长生的世界：道教绘画特展图录》（台北：国立故宫博物院，1996年初版），页78-79。 内容简介（中文）： 本幅设色画女仙合掌而立，头背有圆光，侍女捧盘献桃。献桃故事向与西王母关联，画中女仙当是。按道教有九灵太妙龟山金母、太虚九光龟台金母元君，民间习称王母娘娘、西王母。道教将西王母列为最高女神。造形上也成为古代温雅美丽女性的象征。本幅画中开脸，端雅庄重，犹如中国人心目中母仪天下的皇后。本幅二女均向右侧，画幅亦小，疑系一组画中之一幅，或为大幅残存割裂。人像躯体身首比例美好，画来用笔挺劲，设色古厚，可与今日尚存之元代道观壁画如山西永乐宫相通。 内容简介（中文）： 本幅设色画女仙合掌而立，头背有圆光，侍女捧盘献桃。献桃故事向与西王母关联，画中女仙当是西王母。按道教有九灵太妙龟山金母、太虚九光龟台金母元君，民间习称王母娘娘、西王母。道教将西王母列为最高女神。造形上也成为古代温雅美丽女性的象征。本幅画中开脸，端雅庄重，犹如中国人心目中母仪天下的皇后。本幅二女均向右侧，画幅亦小，疑系一组画中之一幅，或为大幅残存割裂。人像躯体身首比例美好。(王耀庭) 内容简介（英文）： In this colorful painting, a female immortal stands with a halo behind her head and a female attendant by her side holding a plate with the peaches of longevity. The story of presenting peaches of longevity is related to the figure of the Mother Goddess of the West (Hsi-wang-mu), one of the two main female deities in the Taoist faith. In fact, of the two, the Mother Goddess of the West is considered the supreme female deity. Her form is symbolized by elegance and beauty. Here, the immortal is slightly smiling and appears elegant yet stern, like an empress from Chinese history. The two figures here face to their left and the painting is somewhat small, suggesting that it was once part of a set or perhaps cut down from a larger work. The figures are beautifully proportioned and the brushwork exceptionally beautiful. The coloring is archaic and can be compared to surviving Yüan dynasty wall paintings, such as at the Yung-lo Temple in Shan-his.