书体:

色彩:

水墨

装裱形式:

轴

创作时间:

明太祖洪武三十年(1397)

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：宁寿宫续入石渠宝笈
鑑藏宝玺：乐寿堂鑑藏宝
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鉴玺

题跋资料:

题跋类别：作者款识；作者：徐贲；题跋位置：本幅；款识：庐山读书。（篆书）。洪武丁丑（西元一三九七年）春日。徐贲写。（楷书）。；书体：篆书；全文： 印记：徐贲之印、幼文

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：乙亥夏御题；书体：行书；全文：（乾隆乙亥御题。诗文不录。）印记：得佳趣、几暇怡情

主题:

主要主题：山水  ；次要主题：树木松 ；次要主题：建筑桥木架桥、石板；其他主题：山水瀑布 ；其他主题：山水山径 ；其他主题：山水云 ；其他主题：建筑茅草屋 ；其他主题：建筑亭 ；其他主题：建筑房舍 ；其他主题：建筑水榭 ；其他主题：树木竹 ；其他主题：山水溪涧、湍泉溪涧；其他主题：人物侍从（侍女、童仆）侍从一人；其他主题：人物高士（士人、隐士）三人；其他主题：树木  

技法:

工笔 皴法披麻皴皴法斧劈皴

参考资料:

收藏着录： 石渠宝笈续编（宁寿宫），第五册，页2785 收藏着录： 故宫书画录（卷五），第三册，页272 收藏着录： 故宫书画图录，第六册，页19-20 内容简介（中文）： 徐贲（十四世纪），四川人，居住苏州。字幼文，号北郭生。累官至河南布政，后以官军过境，犒劳失时，下狱死。工诗善书，又精于绘画，山水法董源，时称「十才子之一」。层巖重嶂，飞瀑三叠。山村错落于深窈之中，一人持琴过穚，两人于松下对谈。此帧构图繁复而不杂乱，用笔温婉而饶富变化，用墨亦层次分明。据幅右作者款书，知此为徐氏洪武丁丑年（一三九七）之作。 内容简介（中文）： 庐山在今江西省九江县南，相传周代匡俗隐居山中，结庐读书，因此得名为「庐山」，也称「匡山」，或者合称为「匡庐」。自宋代以来，庐山千变万化写入画图，从体现客观物象的美，到追求笔墨的意趣，展现的深度各有不同。此幅着重于个人心境的投射，作者徐贲（一三三五－一四○三），字幼文，江苏苏州人，诗书画均有造诣，一度隐居蜀山，后回归仕宦生涯，却仍在笔墨中寄讬隐居的情怀。 内容简介（中文）： 徐贲（西元十四世纪），四川人，居住苏州。字幼文，号北郭生。洪武甲寅年被征作官，至河南布政。诗写得好，书法也不错。楷书尤其清逸；当时人称之「十才子之一」。 这幅画山居深窈中，有七个村聚。飞瀑三叠。一人持琴过桥，松树下两人对谈，悬崖上一人观瀑。画山景繁复而不杂，用笔于温婉中饶富变化，用墨很有层次。愈仔细欣赏，愈发现树枝的变化及山石的皴染都是很好的。 内容简介（英文）： Reading on Mount LuHsü Pen (14th century)Ming Dynasty Hsü Pen was a native of Szechwan, but immigrated to Suchow. His style name was Yü-wen, his sobriquet Pei-kuo-sheng. He was promoted to the rank of governor of Honan in 1374. Excelling at poetry and calligraphy, he wrote Kai-shu (regular script) characters with great purity and ease. His contemporaries listed him as one of the Ten Geniuses of his time. The painting depicts a scene deep in the mountains. Visible are seven secluded settlements and three soaring cataracts. A man carrying a lute is crossing a bridge, while two men seated under pines are engaged in conversation. A solitary figure gazes from a precipice at the waterfalls. The mountain scenery is painted with great complexity but no confusion, the brushwork is delicate but with infinite diversity. The ink tones, as well, possess excellent gradations. The careful execution is much to be admired, as are the varied tree branches and the texture strokes on rocks and mountains. 内容简介（英文）： Studying on Mount LuHsü Pen (1335-1403)Ming Dynasty Mount Lu (“Thatched Hut”) is in southern Chiu-chiang County, modern Kiangsi. It is said that K’uang Su of the Chou dynasty lived as a recluse there in Taoist cultivation and built a thatched hut for study (hence its name). It is also named K’uang after him or a combination of the two (K’uang-lu). Starting from the Sung (960-1279), its myriad features have been rendered in art, including both the beauty of its forms and the expressiveness of painters, from a variety of perspectives. This work projects the inner world of Hsü Pen, a native of Soocow, Kiangsu. He was gifted in painting, poetry, and calligraphy and for a time lived in reclusion at Mount Shu. He later returned to office but in art often expressed nostalgia for a life of reclusion. 内容简介（英文）： Studies at Mount LuHsü Pen (14th c.)Ming Dynasty Hsü Pen, a native of Szechwan, lived in Soochow. He went on to serve as governor of Honan, but was later jailed and died in prison. Good at poetry, he excelled at calligraphy as well as painting. In landscapes, he followed the style of Tung Yüan and was considered one of the “Ten Talents” of his time. Here, serried ridges and overlapping cliffs are punctuated by three waterfalls. Mountain villages are scattered through the land. A man carrying a lute crosses a bridge in the foreground as two men are seated under pines engaged in conversation. The composition is complex, but not overly chaotic. The brushwork is gentle and varied, while the shading of the ink is clearly rendered. According to the inscription, this work was done in 1397.