书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：五福五代堂古稀天子宝
鑑藏宝玺：八征耄念之宝
鑑藏宝玺：太上皇帝之宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：马轼；题跋位置：本幅；款识：练川马轼；书体：行书；全文： 印记：练川马轼、敬瞻、笔补造化

主题:

主要主题：山水春景 ；次要主题：建筑茅草屋 ；次要主题：花草桃花 ；其他主题：翎毛鸡 ；其他主题：建筑桥 ；其他主题：建筑篱笆、围墙 ；其他主题：人物百姓 ；其他主题：人物孩童 ；其他主题：人物高士（士人、隐士）士人；其他主题：山水山径 ；其他主题：树木  ；其他主题：器用 椿木器；其他主题：器用耕织渔猎鸡笼

技法:

皴法 人物衣纹描法(粗细线条) 苔点 

参考资料:

收藏着录： 石渠宝笈续编﹝御书房﹞，第四册，页1983 收藏着录： 故宫书画录﹝卷五﹞，第三册，页298 收藏着录： 故宫书画图录，第六册，页131-132 参考书目： 1.许郭璜，〈明马轼春坞村居图〉，收入《李郭山水画系特展》（台北：国立故宫博物院，1999年初版），页81-84。2.〈明马轼春坞村居〉，收入陈阶晋、赖毓芝主编，《追索浙派》（台北：国立故宫博物院，2008年初版一刷），页172-173。3.〈明马轼春坞村居图〉，收入国立故宫博物院编辑委员会编，《春景山水画特展图录》（台北：国立故宫博物院，1987年一月初版），页53-54。4.本社，〈明马赋春坞村居〉，《故宫文物月刊》，第60期（1988年3月），封底里。 内容简介（中文）： 马轼（西元十五世纪），江苏嘉定人，字敬瞻。明英宗正统元年（一四三六）授司天博士。工诗画，尤善长山水，学宋朝郭熙，很有古法，与戴进并重于京师。 画山中村聚，二老扶杖归来，童子应门。妇人孩童或餵鸡食；或在舂米。村人亭内对奕；或嬉游于山径，描绘出快乐纯朴的农村生活。构局上置巍巍远山于中轴，画面益为沈稳，从郭熙笔法而来的灵动山皴线条，为此刚硬山景凭添柔和气氛。 内容简介（中文）： 马轼（西元十五世纪），自敬瞻，嘉定（今属上海市）人。宣德、正统年间，与谢环同擅画名于北京。正统十四年（一四四九），因精于占候而征调广东，授命为钦天监漏刻博士。工山水、人物，画法宗郭熙、马、夏。 此轴山石居于中轴线，山脉略呈「Ｓ」型的深远空间表现法，与郭熙「早春图」相似。此图着重前景村居人物活动细节的描写，运笔快速的云头皴与强烈对比的墨色晕染，潇洒有气势。此种笔墨变化趣味，正是明代宫廷绘画的主要特征之一。 内容简介（英文）： Ma Shih (style name Ching-chan) was a native of Chia-ting in Kiangsu province. He was a painter at the Hsüan-te (1426-1435) and Cheng-t’ung (1436-1449) courts and gained fame as a painter in Peking with Hsieh Hüan. In 1449, because he was able to forecast the weather, he was sent to Canton to hold an official position in the Directorate of Astronomy. He was skilled in landscape and figure painting, studying the styles of Kuo Hsi, Ma Yüan, and Hsia Kuei of the Southern Sung dynasty. Mountains in the center of the composition twist in an S-curve revealing deep space similar to Kuo His’s Early Spring. The village in the foreground, however, replete with human activity and careful details, is the focus of this painting. The “budding cloud” texture strokes give an impression f speed, and the light and dark washes create strong contrasts. There is a natural and unrestrained quality. This kind of interesting use of ink and brush is one of the major characteristics of Ming court painting. 内容简介（英文）： Ma Shih, a native of Kiangsu province, served in the Imperial Observatory in 1436. He was skilled in poetry and painting, especially landscapes. He studied the style of Kuo Hsi and mastered the ancient styles, being equal to Tai Chin. As the title suggests, this work shows a mountain village in spring, where we see a man, children, and women. In the right middleground, several figures make their way to the thatched buildings. The overall atmosphere is that of joy and simplicity in a countryside village. The composition is that of a central, monumental mountain that stabilizes the work. The spirited texture strokes derive from the Kuo Hsi style and give the rugged mountains a sense of atmosphere and softness.