书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

收传印记：觉斯氏
收传印记：玄宰
收传印记：□□千里

题跋资料:

题跋类别：作者款识；作者：林良；题跋位置：本幅；款识：林良；书体：草书；全文： 印记：（文不可辨）

主题:

主要主题：翎毛鹰 主要主题：翎毛八哥（鸲鹆） ；次要主题：花草藤萝 ；其他主题：树木  

技法:

写意 

参考资料:

收藏着录： 故宫书画录（卷五），第三册，页309 收藏着录： 故宫书画图录，第六册，页337-338 参考书目： 1.〈明林良秋鹰图〉，收入陈阶晋、赖毓芝主编，《追索浙派》（台北：国立故宫博物院，2008年初版一刷），页176。2.谭怡令，〈明林良秋鹰〉，收入谭怡令编，《画?珍禽》（台北：国立故宫博物院，1988年十月初版），页92。3.馀辉，〈关于林良研究的几个新问题〉，《故宫学刊》，总第六辑(2010年8月)，页289-321。4.谭怡令，〈明林良秋鹰〉，收入蔡玫芬主编，《精彩一百　国宝总动员》（台北：国立故宫博物院，2011年九月初版一刷），页316。 内容简介（中文）： 林良，字以善，广东南海人。天顺成化（西元一四五七至一四八七年）间为内廷供奉。作画时，常以草书笔法融入画中。 老鹰俯冲急追，鸜鹆（俗名八哥）则仓猝飞奔，描写得生动如活，也表现出惊险紧张的情境。这幅画主要以水墨画成，用笔粗放流畅，仅加染少许的淡彩，有水墨淋漓之趣，并有气势磅礡，朴质无华的感觉。 内容简介（英文）： The Eagle in Autumn Lin Liang (fl. 1457-1487) Ming Dynasty Lin Liang, style name I-shan, was a native of Nan-hai, Kwangtung. He served in the Inner Court during the Tien-shun (1457-1464) and Ch’eng-hua (1465-1487) eras. He is known for incorporating the free, cursive strokes of the “grass style” calligraphic script into the brushwork of his painting style. An eagle is caught in mid-turn as it swoops down in pursuit of a fleeing mynah bird. Imbued with a spirited movement that is remarkably true to life, the scene conveys the tension of the moment. Using primarily monochrome ink, Lin has employed loose, coarse strokes in fluid motions; light washes of faint color are overwhelmed by the saturated fullness of the darker ink. The overall effect is one of powerful balance and a sense of the uncontrived naturalness of the primeval world. 网页展示说明 林良（约1424－1500之后），广东南海人，字以善。善花果翎毛、烟波水禽景致。早期画法工细精巧，后改以水墨写意作画，看似轻松不经意，实挺健厚实。带有草书笔意，在迅捷中见沈稳。 本幅为林良重要的代表作，绘鹰回身俯冲而下，眼神锐利，被追逐的八哥仓皇奔逃，神情惊骇。情境和笔墨均富于动感，尤点叶的跃动笔法，平添不安氛围。逸笔草草间，不失对景物特征如禽鸟喙足等的准确描绘。(20110913) 网页展示说明 Lin Liang (style name Yishan) was a native of Nanhai in Guangdong. He excelled at painting fruits and vegetables, birds and other animals, and scenery of waterfowl and mist-covered waters. His early painting method was fine and delicate, but later he turned to working in the “sketching-ideas” manner using monochrome ink, appearing relaxed and natural yet strong and solid. His style has the brush manner of cursive script calligraphy with a sense of steadiness appearing in its quickness.This is an important representative of Lin Liang’s painting. It depicts a falcon circling back and swooping down, its eyes focused sharply on the mynah, its prey, which rushes away in a flurry and appears panicked. The sentiment and use of brush and ink are both quite dynamic, especially the leaping brush method of dotted leaves that adds an unsettled atmosphere to the scenery. The untrammeled brushwork is cursive but does not depart from fidelity to the subject, with such details as the beak and claws of the birds still being rendered with accuracy.(20110913)