书体:
色彩:
浅设色装裱形式:
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本幅绢释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:林良;题跋位置:本幅;款识:林良;书体:草书;全文: 印记:林良主题:
主要主题:翎毛鹰 ;次要主题:树木技法:
写意参考资料:
收藏着录: 石渠宝笈初编(养心殿),上册,页660 收藏着录: 故宫书画录(卷五),第三册,页309 收藏着录: 故宫书画图录,第六册,页339-340 参考书目: 1.〈明林良画鹰图〉,收入陈阶晋、赖毓芝主编,《追索浙派》(台北:国立故宫博物院,2008年初版一刷),页176-177。 内容简介(中文): 林良(活动于西元十五世纪后半),广东南海人,字以善。明英宗天顺年间(西元一四五七-一四六三年)供奉内廷。工花鸟,特善水墨作画,时将草书之法融于画中。 两鹰卓立,笔墨豪放,而有磅礡之气势。树木枝叶用笔剽疾,有飞舞使转之意,画史所谓林良以草书入画,即指此等。 内容简介(英文): Two Eagles Lin Liang (active 1457-1463) Ming Dynasty Lin Liang, style name I-shan, a native of Nan-hai in Kwangtung Province, served as a court painter during the reign of T’ien-shun (1457-1463), Best known for his monochromatic paintings of birds and flowers, he skillfully employed the brush methods of cursive calligraphy in his ink paintings. Two eagles standing alone are described with vigorous, unrestrained brushwork which vividly captures their fierce character. The sinuous lines, describing the branches and leaves, evidence rapid movements of the brush. This type of brushwork resembles cursive script, a highly abbreviated and fluid style of calligraphy admired for its beauty and expressiveness. Hence, the statement in traditional Chinese histories that Lin Liang used the techniques of cursive style in painting may well refer to the type of brushwork seen in this scroll.