书体:
色彩:
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本幅纸释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：唐寅；题跋位置：本幅；款识：吴郡唐寅画；书体：行书；全文： 印记：唐伯虎主题:
主要主题：山水夏景 主要主题：树木芭蕉 主要主题：树木松 ；次要主题：人物高士（士人、隐士）隐士；次要主题：人物侍从（侍女、童仆）童仆；次要主题：山水瀑布 ；次要主题：山水江河、湖海 ；次要主题：山水溪涧、湍泉技法:
写意 皴法披麻皴人物衣纹描法(匀称线条) 苔点参考资料:
收藏着录： 石渠宝笈初编（御书房），下册，页1125 收藏着录： 故宫书画录（卷五），第三册，页344 收藏着录： 故宫书画图录，第六册，页359-360 参考书目： 1.江兆申，〈唐寅双松飞瀑 轴〉，收入国立故宫博物院编，《吴派画九十年展》（台北：国立故宫博物院，1975年初版，1976年再版，1981年三版），页300。 内容简介（中文）： 唐寅（西元一四七○至一五二三年），江苏吴县人，字伯虎，号六如。天赋多才，生性疏放，狂逸不羁。弘治十一（一四九八）年中南京乡试解元，后牵连京试贿赂案，被谪为吏，从此绝意宦途，六如居士画谱曾云：「予弃经生业，乃讬之丹青自娱。」一心穷研诗、书、画。 唐寅从周臣学画，亦受到沈周的影响，此画笔法墨法乃至人物芭蕉造型与沈周早期近似，疑是其二十九岁前所作。 内容简介（英文）： Twin Pines and Cascading Waterfalls T’ang Yin (1470-1523) Ming Dynasty T’ang Yin, style name Po-hu, sobriquet Liu-ju, was native of Wu Prefecture, Kiangsu Province. He was extremely talented, but was by nature somewhat carefree and lived an unrestrained, somewhat decadent life. In 1498, he earned the highest score on the Nanking Provincial examinations, but was later implicated in the bribing of a judge at the imperial examinations. Disgraced and demoted to the status of an office clerk, T’ang abandoned his official career and devoted himself to poetry, painting and calligraphy. As he wrote in the preface to his book Liu-ju chü-shih’s Painting Manual, “I have discarded all my worldly possessions. All I ask is to amuse myself with painting,” T’ang Yin studied painting from Chou Ch’en and also experimented with the style of Shen Chou. Because of this, his renderings of figures and forms closely resemble the early works of Shen Chou. This painting was probably painted before T’ang Yin was twenty-eight years old.
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