书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：古希天子
鑑藏宝玺：八征耄念之宝
鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：唐寅；题跋位置：本幅；款识：一派银河倾碧落。耳根于此洗尘嚣。要知尽日支吾处。五老峰前三峡桥。唐寅。；书体：行书；全文： 印记：唐伯虎、唐寅私印、吴郡

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：甲辰仲春月御题；书体：行书；全文：（乾隆甲辰御题。诗文不录。）印记：古稀天子之宝、犹日孜孜

主题:

主要主题：山水  主要主题：山水瀑布 ；次要主题：人物高士（士人、隐士） ；次要主题：人物侍从（侍女、童仆）童仆；其他主题：树木  ；其他主题：山水溪涧、湍泉 

技法:

皴法斧劈皴人物衣纹描法(粗细线条) 苔点 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第四册，页1861 收藏着录： 故宫书画录（卷五），第三册，页348 收藏着录： 故宫书画图录，第七册，页11-12 参考书目： 1.江兆申，〈唐寅观瀑图　轴〉，收入国立故宫博物院编，《吴派画九十年展》（台北：国立故宫博物院，1975年初版，1976年再版，1981年三版），页301。2.〈明唐寅观瀑图〉，收入国立故宫博物院编辑委员会编，《山水画墨法特展图录》（台北：国立故宫博物院，1987年七月初版），页67。 内容简介（中文）： 唐寅（西元一四七○至一五二三年），江苏吴县人，字子畏，又字伯虎，号六如。天赋多才，生性疏放，狂逸不羁。弘治十一年（一四九八）中南京乡试解元，后牵连京试贿赂案，被谪为吏，从此绝意宦途，一心穷研诗、画、书法。 一道清泉直泻而下，朵云横锁山腰，树下高士正注目于流泉之中。唐寅画学自周臣，但因学品高而青出于蓝，人物、花鸟、山水无不擅长，成为明四大家之一。本幅画用笔流畅，水墨滋润，意象气味，有种清丽优雅的美感。 内容简介（中文）： 连峰之间，飞瀑直泻而下，分流转折，聚而为潭。一人巾而无须，坐坡石上，童子侍于其后。用笔用墨，与松溪独钓图全同，故置于同一年。 内容简介（英文）： 1505 T’ang Yin Watching the Waterfall From the pass between two mountains a leaping waterfall cascades straight down, then divides into streams which twist and turn, finally collecting together again in a pool in the foreground. A beardless man wearing a hat sits on the rocky bank, while a servant boy waits behind him. The handling of brush and ink is almost identical to “Fishing Alone on the Pine Stream”, and “Watching the Waterfall” was probably painted in the same year. 内容简介（英文）： Gazing at the Falls T’ang Yin (1470-1523) Ming Dynasty A cascade of water plummets downward; a horizontal band of clouds encircles the waist of the mountain. Below the trees a gentleman focuses his gaze on the flow of water. This work is notable for its smooth brushwork and fluid use of ink. T’ang Yin, one of the “Four Masters of the Ming Dynasty,” studied painting with Chou Ch’en (fl. Ca. 1500-1535), but he eventually surpassed his teacher. T’ang excelled in paintings of human figures, flowers and birds, and landscapes. T’ang Yin’s style-names were Tzu-wei and Po-hu; his sobriquet was Six Suchnesses. Extremely talented, he was free-spirited and bohemian by nature. In 1498 he placed highest in the provincial examinations at Nanking, but he was later implicated in the bribing of a judge at the metropolitan exams, and was consequently disgraced and deprived of any chance at an official career. From that time on he devoted himself to poetry, painting, and calligraphy.