书体:
色彩:
水墨装裱形式:
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本幅纸释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:唐寅;题跋位置:本幅;款识:新霞蒸树晓光浓。岁岁年年二月中。香雪一庭春梦短。天涯人远意匆匆。吴郡唐寅。;书体:行书;全文: 印记:唐居士、唐伯虎、禅仙主题:
主要主题:花草杏花技法:
写意参考资料:
收藏着录: 石渠宝笈初编(御书房),下册,页1126 收藏着录: 故宫书画录(卷五),第三册,页351 收藏着录: 故宫书画图录,第七册,页25-26 参考书目: 1.江兆申,〈唐寅杏花 轴〉,收入国立故宫博物院编,《吴派画九十年展》(台北:国立故宫博物院,1975年初版,1976年再版,1981年三版),页306。 内容简介(中文): 唐寅(西元一四七○-一五二三年),江苏吴县人,字子畏,一字伯虎,号六如。天资颖异,性格潇洒不羁,自命为江南第一风流才子。山水、人物、花鸟无所不精,画师周臣,而有出蓝之誉。 春杏一株,由画幅左侧向古上方伸张。干先钩画,再行皴擦,枝则多用浓墨写成。满树繁花,不着脂粉,去绝俗艳之气。花以浓淡墨点成,繁花复加密蕊,益增笔调之变化。 内容简介(英文): Apricot Flowers T’ang Yin (1470-1523) Ming Dynasty T’ang Yin (style names Tzu-wei, Po-hu; sobriquet Liu-ju) was a native of Wu-hsien, Kiangsu. Though by nature careless and unrestrained, he became one of the great talents of the Kiangnan region. Although he studied with Chou Ch’en (fl. 1500-1535 A.D.), he soon surpassed him. T’ang Yin was particularly skilled in painting landscapes, figures, flowers, and birds. An isolated branch of spring apricot enters from the left edge of the paper and curves in and up toward the upper right corner. Here T’ang has used a variety of brushstrokes and ink tones. Rough texture strokes give the trunk volume. Rich ink is employed in the branches. Dark and light ink, rather than red color, is used in the clustered flowers which are densely dotted with stamens and pistils. Vulgarity is omitted, and thus an atmosphere of beauty is achieved.