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鑑藏宝玺:嘉庆御览之宝题跋资料:
题跋类别:作者款识;作者:仇英;题跋位置:本幅;款识:仇英实父制;书体:行楷书;全文: 印记:十洲主题:
次要主题:船渔船 ;次要主题:船篷舟同一;次要主题:树木杨柳 ;次要主题:翎毛鸳鸯一对;次要主题:山水溪涧、湍泉 ;次要主题:人物高士(士人、隐士)隐士;其他主题:器用饮食器 ;其他主题:器用服饰(对人)幅巾;其他主题:器用耕织渔猎斗笠.渔篓.渔竿;其他主题:器用文玩(琴棋书画) ;其他主题:山水技法:
白描 人物衣纹描法(粗细线条)参考资料:
收藏着录: 石渠宝笈三编(延春阁),第四册,页1885 收藏着录: 故宫书画录(卷五),第三册,页353 收藏着录: 故宫书画图录,第七册,页251-252 参考书目: 1.王耀庭,〈明仇英柳塘渔艇〉,收入王耀庭编,《渊明逸致特展图录》(台北:国立故宫博物院,1988年初版),页107-108。2.许郭璜,〈明仇英柳塘渔艇〉,收入许郭璜编,《仇英作品展图录》(台北:国立故宫博物院,1989年初版),页93。 内容简介(中文): 仇英(约西元一四九四-一五五二年),江苏太仓人。字实父,号十洲。年青时曾为漆二.后遇周臣,经其指授,渐有名于艺坛。工画山水、人物,为明四大家之一。 杨柳夹岸,高士头戴纱帽,袒胸露腹,横波持竿,临流濯足。虽然不能确知本幅所画是何故事,然从形似陶渊明的高士造形和两岸的柳树观之,此图或意为陶渊明「归园田居」的生活写照。本幅细笔白描,雅逸秀丽,颇富文人气息。 内容简介(中文): 仇英(约一四九四-一五五二),字实父,号十洲,江苏太仓人。年青时曾为漆工,后遇周臣,经其指授,渐有名于艺坛。工画山水、人物,兼善花卉、鸟兽、传世蕃马之作,亦复不少。 高士做陶渊明打扮,坐于小艇,横波持竿,临流濯足,垂杨两岸,岸侧有鸳鸯一对,戏浴水际。本幅所画虽不能确知是何故事,但以高士之造形,两岸柳树之联想,可视为陶渊明「归园田居」的悠閒生活写照。 内容简介(英文): The Fishing Skiff Beneath the Willow Bank Ch’iu Ying (ca. 1494-1552) Ming Dynasty (1368-1644) Posing as T’ao Yüan-ming, a gentleman in a small fishing boat dangles his bare foot in the water as he holds a pole parallel to the waves. Willows border both shores and on the far bank shelter a pair of mandarin ducks. It is not known precisely what story or character this painting depicts, but the willow trees (T’ao Yüan-ming called himself Master Five Willows) and the general insouciant air of the fisherman lead one to think of T’ao Yüan-ming, taking a boat home on his return to a serene rural existence. Ch’iu Ying (whose style-name was Shih-fu and sobriquet, Shih-chou) was a native of T’ai-ts’ang, Kiangsu. In his youth he worked as a lacquer artisan and then gained fame as an artist under the tutelage of Chou Ch’en (f1. 1500-1535). Ch’iu excelled at many genres of painting: landscapes, figures, flowers, birds and animals, and foreigners and horses.