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明穆宗隆庆四年（1570）文字类型:
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本幅纸释文:
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鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：陆治；题跋位置：本幅；款识：隆庆庚午（西元一五七○年）天中节。包山陆治写。；书体：楷书；全文： 印记：陆氏叔平、包山子主题:
主要主题：花草菖蒲 主要主题：花草百合花 主要主题：花草石榴技法:
写意参考资料:
收藏着录： 石渠宝笈三编（延春阁），第四册，页1998 收藏着录： 故宫书画录（卷五），第三册，页421 收藏着录： 故宫书画图录，第八册，页13-14 参考书目： 1.王耀庭、张华芝，〈明陆治画榴花小景〉，收入王耀庭、张华芝编，《明陆治作品展览图录》（台北：国立故宫博物院，1992年初版），页78。2.〈明 陆治 榴花小景〉，收入谭怡令、刘芳如、林莉娜主编，《满庭芳 历代花卉名品特展》（台北：国立故宫博物院，2010年十二月初版一刷），页72。 内容简介（中文）： 陆治不仅长于山水画，也能画花鸟，所作花卉生意盎然，在吴派画家中以能得宋人韵度，备受赞赏。此幅小景画菖蒲、百合、石榴，兼用没骨、钩勒两种方法，随意钩画点染，构图和设色均不落俗套，是陆治七十五岁老境成熟之作。画作上方自题『隆庆庚午天中节，包山陆治写』，天中节即是端午节，可知此为陆治应景之作。 内容简介（中文）： 陆治（西元一四九六－一五七六年），江苏吴县人。字叔平，号包山子。为人孝悌好义，诗文书画都很好，曾游艺于祝允明、文征明之门，画风清雅，山水、花鸟都颇能出己意。 画中百合、艾草、石榴并立而偃仰有致。花果以没骨法为主，石榴点以朱砂，艾草染花青，百合则以墨写。复均以墨笔钩勒出骨架筋络，用色古艳，笔墨相当写意。 内容简介（英文）： Lu Chih came from Suchou in Kiangsu. Although easy- going by nature, he had strong moral sense and was praised by his friends for his filial conduct. Equally skilled as a painter, calligrapher, poet and essayist, he once learned from Chu Yün-ming and Wen Cheng-ming. His landscape and flower-and-bird paintings show personal characteristics. Lilies, pomegranate blossoms and calamus display the “boneless method” of brushwork (brushing colors without ink outline). The application of colors is fine and delicate; the pomegranate blooms are high-lighted with red dotting, the calamus leaves are tinged with a pale blue hue, and the lilies are brushed in a variety of pure ink washes. The artist included hook-like ink accents to give structure to the composition. Lu Chih’s highly skilled use of brushwork and color successfully imparts the freshness of the bouquet. 内容简介（英文）： Lu Chih not only specialized in landscape painting, but he was also a capable bird-and-flower painter. His flowers all are life-like and natural. Among Wu School artists, he was able to capture the harmony of Sung (960-1279) styles and was therefore admired. In this seemingly simple painting, Lu has rendered the tall calamus, lilies, and pomegranate in a combination of the outline and so-called “boneless” inkwash methods. He freely outlined, dotted, and washed the forms to create a painting that is elegant in both composition and coloring. Done in 1570 at the age of 74, Lu’s inscription at the upper left indicates it was done at the Dragon Boat Festival (on the 5th day of the 5th lunar month), thus making it a seasonal painting. 网页展示说明 陆治（1496-1576），江苏吴县人。字叔平，号包山子。长于山水花鸟，所作花卉生意盎然。此幅以折枝菖蒲、百合、石榴组合，石榴点以朱砂，用色古艳。菖蒲以花青写成，百合则以墨笔钩画骨架筋络，极具清逸雅淡之气。此幅用墨浓淡相宜，设色俏丽鲜艳，雅妍相兼，构图和设色均不落俗套，是陆治七十五岁老境成熟之作。画上自题「隆庆庚午（1570）天中节，包山陆治写。」天中节即是端午节，可知此为应景之作。(20110102) 网页展示说明 Lu Zhi, a native of Wuxian in Jiangsu, went by the style name Shuping and the sobriquet Baoshanzi. He excelled at painting landscapes and birds-and-flowers, his flowers being full of life.This painting depicts stalks of calamus, lily, and pomegranate together. The pomegranate is rendered in cinnabar red for a very archaic yet beautiful color. The calamus is in cyanine blue, while the lily is done in brush and ink to outline the framework of veins, creating a pure and elegant atmosphere. The darkness of the ink here is also quite becoming, the colors bright and beautiful. Both refined and attractive, neither the composition nor the coloring conforms to convention, making this a mature work of Lu Zhi from the old age of 75 (by Chinese reckoning). At the top of the painting is the artist's signature: "Sketched by Lu Zhi, Baoshan, on the Tianzhong Festival of the gengwu year in the Longqing reign (1570)." Tianzhong is another name for the Duanwu (or Dragon Boat) Festival, perhaps indicating that this work was done on that occasion.(20110102) 网页展示说明 陆治（1496-1576）、江苏呉県の人。字は叔平、号は包山子。山水、花鸟画に长け、その手による草花は生気に満ちている。本作は手折られた菖蒲と百合、石榴（ザクロ）が描かれている。石榴は朱砂を用いて、古めかしくも艶やかな色彩で表现し、菖蒲は花青で、百合は墨で轮郭など全体が描かれ、清らかに澄んだ美しさが感じられる。墨の浓淡による表现もバランスがよく、华やかでありながらも上品な雰囲気が漂い、构図と着色もありきたりな表现に陥っておらず、陆治75歳─老境に至った陆治の熟达した画技が见られる杰作である。画中の自题は「隆庆庚午（1570）天中节、包山陆治写。」、「天中节」とは「端午节」を指すことから、端午の节句に合わせて描かれた作品だとわかる。 (20110102)
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