书体:
色彩:
浅设色装裱形式:
轴创作时间:
文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:莫是龙;题跋位置:本幅;款识:秋色离离到草堂。早看疎叶点新霜。道人自得閒中味。睡起摊书映夕阳。写东冈草堂图并题。云间莫是龙。;书体:楷书;全文: 印记:莫是龙印、云卿主题:
主要主题:山水秋景 ;次要主题:树木松 ;次要主题:建筑房舍 ;次要主题:山水云 ;次要主题:山水山径 ;次要主题:山水溪涧、湍泉湍泉;其他主题:建筑桥 ;其他主题:人物高士(士人、隐士)隐士2人;其他主题:树木 ;其他主题:山水江河、湖海技法:
写意 皴法披麻皴人物衣纹描法(减笔)参考资料:
收藏着录: 秘殿珠林续编(干清宫),页430 收藏着录: 故宫书画录(卷五),第三册,页429-430 收藏着录: 故宫书画图录,第九册,页25-26 内容简介(中文): 莫是龙(西元一五九0年前后),江苏华亭人,侨居上海。曾得米芾玩过的奇石,在上刻上云卿两个字因以此为字。后又更字廷韩,号秋水,又号后明。幼年就有神童之称。诗文皆宗唐人,书法锺繇、王羲之、米芾。画山水,学黄公望,着有画说一卷讨论绘画理论。 这幅画群峯四合中,云映树影。溪泉奔壑,隐约若闻有声。草堂中一人据几读书。林间一人散步。笔墨清雅古淡,是典型的文人画。画上自题七言诗句也很好。 内容简介(英文): Mo Shih-lung, was a native of Hua-t’ing in Kiang-su, but later moved to Shanghai. An unusual stone once held by Mi Fei came into his possession, and he took his style name, Yün-ch’ing, from two characters carved on this stone. Later he took another tzu (style name), T’ing-han, and the hao (sobriquets) Ch’iu-shui and Hou-ming. He was a child prodigy, and his later poetry and prose followed the traditions of T’ang and Sung masters. His calligraphy was in the tradition of Chung Yu, Wang Hsi-chih and Mi Fu. In landscape painting he studied the style of Huang Kung-wang. A collection of notes on the history and theory of painting entitled Hua Shuo has been attributed to him. Four clusters of peaks surround a sea of bright clouds and shadowy trees. A rapidly flowing stream tumbles out of the obscurity, its sound almost audible. Inside the thatched cottage, a figure reads at his desk, while another man strolls in the woods. The brush and ink are pure and refined, possessing an antique blandness. This is a rare example of literati painting. The artist’s poem, in the seven character line style, is also excellent.