书体:

色彩:

设色

装裱形式:

轴

创作时间:

明思宗崇祯十六年（1643）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：秘殿珠林
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：秘殿新编
鑑藏宝玺：珠林重定
鑑藏宝玺：干清宫鑑藏宝
鑑藏宝玺：太上皇帝之宝
鑑藏宝玺：嘉庆御览之宝
收传印记：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：文从简；题跋位置：本幅；款识：癸未（西元一六四三年）中秋日。善男子文从简林焚香顶礼写。；书体：楷书；全文： 印记：从简之印、彦可

主题:

主要主题：佛道人物罗汉（应真、尊者）一人主要主题：佛道人物僧（和尚、尼姑）和尚一人主要主题：佛道人物佛道侍者二人主要主题：佛道人物供养人 ；次要主题：器用香炉．火盆香炉；次要主题：器用饮食器 ；次要主题：器用宗教器用经卷、拂尘、香盒、钵；次要主题：果蔬石榴 ；其他主题：器用家俱（屏风）椅

技法:

工笔 人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 秘殿珠林续编（干清宫），页317 收藏着录： 故宫书画录（卷五），第三册，页447 收藏着录： 故宫书画图录，第八册，页369-370 内容简介（中文）： 文从简，生于神宗万历二年（西元一五七四），卒于清世祖顺治五年（西元一六四八）。江苏长洲人，为文征明曾孙，字彦可，号枕烟老人。崇祯间考取贡生，明亡，入清不仕，书画皆传家学，而稍加变化。书法兼有唐李邕，画山水兼有元倪瓒，王蒙笔法。 本幅画一佛端坐木榻上，二从者捧物侍立两侧，一信女手持香炉，正跪地拈香顶礼。人物用笔勾勒与着色，都明净秀雅可喜，惟画佛造型皆与凡人无异，此乃因明以后，佛像画已脱离宗教而入于纯粹艺术欣赏范围，画家多属兼习，偶或图写，率无稿本借供临摹。 内容简介（英文）： Worshipping the BuddhaWen Ts’ung-chien (1574-1648)Ming dynasty Wen Ts’ung-chien was a great grandson of Wen Cheng-ming. His style name was Yen-k’o and his sobriquet was Chen-yen lao-jen. Sometime between 1628-1643, he received his kung-sheng degree. After the fall of the Ming he retired from official life. He studied the great ancient masters of calligraphy and painting, adapting each to his own taste. He modelled his calligraphy after the T’ang master Li Yung and derived his landscape style from Ni Tsan and Wang Meng. This painting shows a Buddha on a couch receiving offerings from two devotees. A nun holds an incense-burner and, prostrate, offers it to the Buddha. The drawing of the figures and the colors all create a clear and pleasing impression. The figures in this Buddhist painting seem little different from those in secular paintings. This demonstrates the tendancy of Buddhist painting from the Ming dynasty onwards to lost its religious associations and to become pure art. Iconographic painters were no longer specialist painters of Buddhist subjects, but painted according to their inclinations and did not follow the canonical compositions for Buddhist painting that had persisted earlier.