书体:
色彩:
设色,青绿装裱形式:
轴创作时间:
文字类型:
质地:
本幅绫释文:
印记资料:
鑑藏宝玺：嘉庆御览之宝题跋资料:
题跋类别：作者款识；作者：崔子忠；题跋位置：本幅；款识：古之人洁身及物。不受飞尘。爰及草木。今人何独不然。治其身。洁其濣濯。以精一介。何忧圣贤。圣贤宜一。无两道也。慎吾老先生之谓与。为绘倪元镇洗梧桐一事。以祝其洁可与也。若夫严介自修。三千年上下周秦。及今日无两人。吾谓倪之洁。依稀一班尔。自好不染。世之人被其清风。曰君子嘉乐。端与斯人共永也。长安崔子忠识。；书体：楷书；全文： 印记：子忠之印主题:
主要主题：山水奇石 主要主题：树木梧桐 主要主题：经史‧故事 倪云林洗桐主要主题：人物高士（士人、隐士）倪瓒；次要主题：人物仕女 ；次要主题：人物侍从（侍女、童仆）侍女．童仆；其他主题：花草 ；其他主题：器用 盥清铜器、槃、匜、棕刷技法:
工笔 皴法 人物衣纹描法(匀称线条)参考资料:
收藏着录： 石渠宝笈三编（御书房），第七册，页3142 收藏着录： 故宫书画录（卷五），第三册，页487-488 收藏着录： 故宫书画图录，第九册，页235-236 参考书目： 1.〈明崔子忠云林洗桐图〉，收入国立故宫博物院编，《晚明变形主义画家作品展》（台北：国立故宫博物院，1977年九月初版），页414。 内容简介（中文）： 崔子忠（西元一六００－一六五二年），北平人。初名丹，字开予；更名后，字道母，号北海，又号青蚓。崇祯时顺天诸生；甲申后入土室不出，卒饿死。善画人物，与陈洪绶齐名。 倪云林性好洁，庭中所植梧桐，常督童仆洗涤，后世遂有洗桐图，相传以为佳话。此幅绫本洁净如新，人物用笔传神，皆极雅秀。画树画石，有图案意味，盖崔氏作画，于其意象，故别有蹊径也。 内容简介（英文）： Ts’ui Tzu-chung was a native of Shantung who adopted Peking as his home. He was a highly learned and patriotic man. When the Ming court fell to the Manchus in 1644, Ts’ui secluded himself in a mud hut and chose to starve to death rather than to survive under the new regime. He excelled at painting figures, and his fame rivals that of his contemporary, Ch’en Hung-shou (1598-1652). A flourishing Wu-t’ung (firmiania) tree grew in the Yüan dynasty master Ni Tsan’s (1301-1374) garden. As Ni Tsan was devoted to cleanliness, it became Ni’s habit to accompany a servant to the garden to bathe the leaves of the Wu-t’ung tree. This ritual became the popular subject of many later paintings such as this one by Ts’ui Tzu-chung. The condition of the silk in this work is immaculately new. Ts’ui’s brush has captured a vital spirit in the figures in an extremely refined style. The rocks and trees have been exploited for their design qualities in a manner which has become a true signature of Ts’ui’s hand.
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